Posts filed in: Embroidery

Summer Storm Cross-Stitch Kit Now Available for Pre-Order

comments: 43

SummerStormBlog

The SUMMER STORM Cross Stitch Sampler Kit is now available for pre-order. Please CLICK HERE to order.

All week here in northwest Oregon we've had scorching hot weather and blazing sun broken by the onset of sudden cloud cover, wind, and thunder rumbling long and low across the sky. I have been thrilllllllled with these summer storms. They are exactly like I remember from my childhood in the Midwest, and are what I tried to capture in this little cross-stitch design. In my front garden here at home, today on Midsummer Day, my dahlias and daisies are just starting to bloom. I couldn't be happier to see gray skies and bright clouds. It's my favorite kind of summer weather. I'm weird, I guess.

Summer Storm is the third in a series of seasonal pieces I'm designing. The first, for winter, is called First Snow (a kit is available here; the pattern is here). The second, for spring, is called Time of Flowers, and unfortunately the kit for it is sold out (but the pattern is always available here).  A design for autumn (on the most delicious color I don't even know how to describe — sort of a rosy pale brown) will be forthcoming later this year. 

Vital Statistics:

Finished Size of Design Area: 6.25"w x 8.5"h (16cm x 22cm); 100 stitches wide x 138 high on 32-count fabric

The kit contains:

One 14" x 16" (36cm x 41cm) piece of 32-count evenweave Country French embroidery linen in Rain 258 from Wichelt
(54) 24" (61cm) lengths of various colors of DMC 6-ply cotton embroidery floss
Stitching instructions
Full-color cross-stitch chart with symbols over color blocks
One piece of chipboard for creating a floss organizer

You will need your own:

#24 tapestry needle(s) for cross stitch
Embroidery scissors
4" (10cm) embroidery hoop
Frame and framing supplies

If you are new to counted cross stitch, or need a refresher on the basics, please see my "how to do counted cross stitch" tutorial here.

This kit is designed to fit in a ready-made 8" x 10" frame. All you need to do is make sure the frame is deep enough to fit a piece of foam core (and glass, if you want to use glass. I never use glass. I don't like it. I have my embroidered pieces hanging all over the house, and I don't feel that they suffer appreciably for being exposed). What you will do is wrap you embroidery around a piece of foam core, and stretch it with the help of about a million sequin (about 1/2" long) straight pins. You can read my tutorial about how I've done that in the past (though I finished the rest of the framing with custom frames at a frame shop). But with an 8" x 10" piece you can even buy the pre-cut foam-core at the craft store (JoAnn's or Michael's, or easily online) for just a couple of dollars. A frame store can also cut foam core for you for just a few dollars if you ask nicely.

This kit will be shipping sometime toward the middle of July. I will order the fabric as soon as I get a handle on the number of pre-orders we're getting, but the distributor has a ton on-hand, so we will be able to take as many orders as needed. We will pull floss and assemble patterns and ship as soon as we have everything here.

The pattern-only option will also be available separately as a downloadable PDF, but not until sometime in the next couple of weeks. I'll post here when that is ready, too.

This kit is done with two plies of DMC cotton embroidery floss on 32-count linen. That means it has sixteen stitches per inch. If you are interested in waiting for the PDF because you're worried the 32-count linen is too small, I think you'll want to read this post about cross stitch that I wrote a couple of months ago. It will help you determine what supplies you need to purchase, particularly fabric.

And, as always, I carry my favorite embroidery supplies in my web shop, should you need lovely, high quality tools. These are the exact ones that I use every day.

I also have finished developing my lotion bars, and oh, I love them so. Here is Summer Day:

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And here is Forest Flower:

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When I started dyeing yarn earlier this spring, my hands started to get really dry from all of the washing and rinsing of yarn I needed to do. I got interested in making lotion bars with my own customized essential oil blends. Lotion bars are great because they have no water in them, so they last for ages and a little goes a long way. I've been so pleased with how they well they work and they smell absolutely amazing! Summer Day is made with beeswax from local bees; coconut oil; unrefined shea butter; lanolin; and essential oils of grapefruit, orange, lemon, tangerine, neroli, and a drop of balsam Peru. It reminds me of sitting on the screen porch on a summer afternoon, eating a Dreamsicle after spending all day at the lake.

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Forest Flower is made with beeswax from local bees; coconut oil; unrefined shea butter; lanolin; and essential oils of cedarwood, Ylang Ylang, clary sage, bergamot, sandalwood, and jasmine absolute. I think it smells like a walk in the woods after a spring rain.

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To use, just hold the lotion bar in your hands for several seconds until it starts to melt a bit, then rub lotion into skin and cuticles, or anywhere you need some TLC. It also works great on feet, elbows, and knees. 

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Doesn't my friend Sahra (not to be confused with my three friends named Sarah) have beautiful hands?

All bars come in a reusable tin, as pictured. Please note: Lotion bars are solid at room temperature but can start to soften in very hot weather while in transit. Your bar will be packed in its tin with absorbent paper, but shipping it at this time of year may result in the design appearing a bit soft by the time it reaches you. This won't affect its qualities. I left my lotion bar packed but upside down on my back deck in 90-degree weather and nothing much happened to the design, honestly, but I did want to mention it in case yours arrives a little less crisp than it looks in these photos. Do let me know how they travel (and, of course, let me know how you like them) — I want to hear it all.

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I love the labels that the lovely Greta Gohn of Thrive Design designed for me. She has also designed a new pattern template for my patterns, as well, and it will debut with Summer Storm. I can hardly wait to use it. It's just so pretty and fits so perfectly in with the rest of my branding (yes, I actually said that). We've been working together for a few months to get some new packaging and a blog ad and yarn labels and this new template together, and working with her has been such a great experience. I absolutely love the entire process of doing stuff like this and it's been a while since I've had some pretty new things. I can't wait to send them to you. I'm doing all of the packing and shipping now since Stacey went to grad school and I have really been enjoying that, too. I get emotional seeing everyone's names and addresses. It's weird, but I do.

We do ship overseas! To place your order, you will be required to read this information, which contains details about international shipping and customs fees you may incur when ordering outside the U.S. (If you are overseas, the shipping cost charged by Posie does not include any further charges you may incur when importing goods.) To see the shipping-only costs for your order and location, just place the items in your cart and choose your location (or enter your zip code, if you are in the U.S.) and it will tell you how much the shipping is. As usual, I have a sincere request: Please check on and update your shipping address correctly in your Paypal preferences so that there is no confusion when we go to ship. If you do need to add things to your order or change your address after you've placed the order, just email me and we'll figure it out, no worries! I just like to remind people of this ahead of time, because it's a bit easier.

Please note that all lotion bars and supplies, and anything else you order at the same time, will be shipped along with your Summer Storm kit. If you need other items before Summer Storm goes out, please place a separate order that will ship right away.

Phew! Okay, hopefully I got this all right. I'm sitting in a coffee shop right now and the music is loud so, fingers crossed. I always feel very nervous whenever I launch new things. Thank you so much for watching me develop these things and for being excited about them as I've talked a bit here and there about what I've been doing for the past few months. I have more coming, more yarn and stitch markers and patterns, and I'm just keeping my head down and working away. I'm so grateful for your interest and support and the very real fact that it all allows me to continue to do what I do to help support our family financially and also stay home and take care of Amelia full time. Thank you from the bottom of my heart for that. I honestly can't thank you enough.

With much love and hope for lots of rainy days this summer so that I can talk about more than my ever-present obsession with the weather,
Alicia

Cross Stitch: Some Explanations about Counts and Fabrics

comments: 24

Hello, dear friends! I'm knocking things off my list today. I've wound yarn, made stitch markers, taken pictures, and gotten all of the second-batch Time of Flowers kit orders out. Whee!

The PDF-only option for Time of Flowers is also now available and you can purchase it here.

Pattern Cover

This pattern is a digital download, and will be made available via a link on the screen immediately upon completion of payment. A link will also be sent (automatically and immediately) to the email address you use to order the pattern. Please save all downloads like this directly to your hard-drive in case you need to reprint in the future. As always, if you have any trouble, please let me know!

I'm sorry it has taken me so long to write this little informational post for you. I've been meaning to do it for ages. I get a fair amount of questions about substituting fabrics for my cross stitch patterns, and I'm going to try to break down a few of the options, and make things like stitch counts and fabric counts more clear than they perhaps might be to you right now. I'm going to take a lot of the information in this post from a tutorial that I wrote several years ago that you can always find on aliciapaulson.com; if you haven't read that and you're still finding yourself confused by this, give that a look and then let me know how I can help clarify further.

But, generally:

Counted cross stitch is not worked onto fabric that has been pre-printed. Counted cross stitch uses special fabrics that are called evenweave fabrics. These fabrics are woven so that they have the same number of warp threads (or, the threads running lengthwise through the fabric) and the same number of weft threads (or, the threads running crosswise, from selvedge to selvedge). In counted cross stitch (and from here on out, I'll just call it cross stitch) you work each stitch over the grid of perfect squares made by the warp and weft threads of your fabric.

Cross stitch can be done on different kinds of evenweave fabric, including evenweave linen, some woven ginghams, Aida cloth (which has a very ponounced grid that helps you see the holes into which your stitches go), waste canvas (which is a removable grid you temporarily apply to a piece of non-evenweave fabric that helps you place your stitches), and various other types of fabrics made especially for cross stitching. The fiber content and type of weave of the fabric you choose to use is largely a matter of personal preference. I use linen fabric for my kits (and the samples I've made up for my patterns), but a lot of people ask me if they can substitute Aida cloth. And the answer is: Yes! You can! I'll explain further.

What really matters is the "count" of the fabric. Thread count refers to the number of warp and weft threads per inch in the woven fabric. Stitch count refers to the number of cross stitches per inch you will have in your finished design. Aida cloth, for instance, is labeled according to stitch count; 10-count Aida cloth gives you 10 stitches per inch. Evenweave linen, however, is labeled according to thread count; 28-[thread]-count evenweave linen will give you a stitch count of 14, since cross stitch on this kind of linen is worked over 2 warp threads horizontally, and 2 weft threads vertically.

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Look very closely at the photo above and you can see the crossed stitches going over 2 threads in each direction.

To work designs in cross stitch you follow a chart. Each colored box (generally with a symbol in it) on the chart represents one set of crossed stitches. Each set of crossed stitches is relative to the other stitches in the design, so you're only ever "counting" a few stitches away from the last stitch you just made. Each color on the chart represents a specific color of six-strand embroidery floss. A color key helps you define each color of floss.

TutorialChart(If the chart is too small for you to see comfortably, just enlarge it on a color copier. A good full-spectrum lamp is a must in dim light. I use this particular Ott light and I love it. When I'm not using it I fold it up and drop it down behind my side table and I never have to look at it. I used to have a big, huge gooseneck Ott light and I much prefer this tiny one; for what I'm doing, it works just as well, and in a small house is a better fit.)

"Count" is very important when choosing fabrics for cross stitching because the number of stitches per inch can drastically change the look of a design. In general, fabric with a lower stitch count will produce a coarser looking design, where the crosses will be larger and more pronounced. Fabric with a higher stitch count will produce designs that are smaller and finer. For the purposes of this post, I'm going to show you some different samples done on two different kinds of fabrics (Aida and linen) with different counts. So let's look at the first one:

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This one, as indicated, is stitched on 8-count Aida fabric. Aida fabric is a good choice if you are a beginner to counted cross-stitch, or if you've struggled with evenweave fabrics in the past. If you look closely, you can see that the stitches are made directly into four little holes in each of the corners of a "square" space. Each square space equals one square on your chart. The holes are very pronounced and much easier to see than they are on linen.

Linen normally doesn't come in a stitch count this big (or, in other words, in a number this small — remember, stitch count number refers to stitches per inch; the lower the number, the fewer stitches per inch. The fewer stitches the stitches per inch, the bigger those stitches have to be). Eight stitches per inch is really quite big, but I wanted to use it to show you exactly how the same design translates into different sizes using different count fabrics. Here's the same design on 14-count Aida fabric:

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Notice that the size of the scissors is fairly consistent here, but that the teacup is significantly smaller. Same design + different stitch count = different size finished piece. To see the same design on 28-thread-count linen (which, if you remember, is done over 2 threads, and so is actually 14 stitches per inch), regard this one:

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See how those last two, even though they are on different kinds of fabric, are the same size? That's because they both have the same stitch count at 14 stitches per inch.

My seasonal series (both First Snow and Time of Flowers, and the upcoming designs for summer and fall) are all done on 32-count Belfast linen, which has a stitch count of 16 stitches per inches. Compare this to previous samples:

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A bit smaller than the 14-counts.

A word about embroidery floss: All of the designs that I write patterns for that are worked on 28- or 32-count fabrics use 2 plies of floss per stitch. To separate plies, you simply take your length of floss by the middle and gently work the 2 plies away from the original 6. Some people even separate the 2 plies away from each other to sort of plump up the thread, but I don't. I don't like the way it looks. That's just personal preference, so do whatever works for you.

Now, here's something important to remember: Let's say that you want to stitch Time of Flowers but you don't want to do it on the fabric that I've used. That is perfectly fine, but let's look at something real quick. Please notice this line on the front cover of the pattern (and all patterns should have a line that reads very much like this on them):

Finished size of design area: 6"w x 8.5"h (15cm x 22cm); 101 stitches wide x 136 high on 32-count fabric

This means that, when finished, the width of the stitched area will be 6 inches, the height of the stitched area will be 8.5 inches on 32-count fabric. If you decide to use a different count fabric, you will need to recalculate the finished size of the design area. To do that, work backwards. Take the number of stitches the design is wide (101) and divide it by the stitch count of your fabric — let's just say you're going to use 8-count Aida.

101 stitches divided by 8 stitches per inch = 12.625 inches wide
AND
136 stitches (width) divided by 8 stitches per inch = 17 stitches high

Seeeeee how much bigger that difference translates to, in terms of the overall design? You're going from a 6" x 8.5" design that will fit into an 8" x 10" frame to an almost 13" x 17" design, not including ANY margins around the design area. That's a pretty big difference, so you just need to pay attention to that count. You can do any design on any fabric you'd like, but do make sure that you know how big the finished design area will be.

When you're purchasing fabric, you always want to make sure that you've got about 3" of extra fabric around each side of the design area. This allows you to easily mount your fabric in the hoop while you're working and also gives you enough space around your design area to stretch the fabric when you frame.

There are lots of places to purchase cross stitch supplies on-line. I know that Aida actually makes a 16-count fabric in Sea Lily (the color of linen I used for Time of Flowers) that can be purchased here. If you're local, I highly recommend you go out to Acorns and Threads sometime and visit Jeannine and the ladies there. This is such a gorgeous store with some of the best customer service you will receive anywhere, for anything. This store is a true local treasure, and it will inspire you more than I can say.

Did I miss anything? Please feel free to ask about anything that's unclear! Let me know!

Time of Flowers Cross Stitch Kit Now Available for Pre-Order

comments: 18

BeautyBlog

The TIME OF FLOWERS Cross Stitch Sampler Kit is now available for pre-order. Please CLICK HERE to order.

Finished Size of Design Area: 6" wide x 8.5" high (15cm x 22cm); 101 stitches wide x 136 high on 32-count fabric

The kit contains:

One 14" x 16" (36cm x 41cm) piece of 32-count evenweave embroidery linen in Sea Lily by Handpicked by Nora from Wichelt
(53) 24" (61cm) lengths of various colors of DMC 6-ply cotton embroidery floss
Stitching instructions
Illustrated stitch tutorial for special stitch
Full-color cross-stitch chart with symbols over color blocks
One piece of chipboard for creating a floss organizer

You will need your own:

#24 tapestry needle(s) for cross stitch
Embroidery scissors
4" (10cm) embroidery hoop
Frame and framing supplies

BlogDetail4

DetailBlog1

Here in the shady hollows of northwest Oregon, spring comes early. It makes a quiet entrance as it slowly turns what was muddy and brown into something luminous and green. The green woods become an enchanted place. I wanted to capture some of that magic here. Time of Flowers is the second in a series of seasonal pieces I'm designing. The first, for winter, is called First Snow (a kit is available here; the pattern is here). Designs for summer and autumn will be forthcoming later this year. 

If you are new to counted cross stitch, or need a refresher on the basics, please see my "how to do counted cross stitch" tutorial here.

This kit is designed to fit in a ready-made 8" x 10" frame. All you need to do is make sure the frame is deep enough to fit a piece of foam core (and glass, if you want to use glass. I never use glass. I don't like it. I have my embroidered pieces hanging all over the house, and I don't feel that they suffer appreciably for being exposed). What you will do is wrap you embroidery around a piece of foam core, and stretch it with the help of about a million sequin (about 1/2" long) straight pins. You can read my tutorial about how I've done that in the past (though I finished the rest of the framing with custom frames at a frame shop). But with an 8" x 10" piece you can even buy the pre-cut foam-core at the craft store (JoAnn's or Michael's, or easily online) for just a couple of dollars. A frame store can also cut foam core for you for just a few dollars if you ask nicely.

This kit will be shipping sometime toward the end of March. The fabric is on order but some of the floss is on backorder and won't get here until mid-March. We will pull floss and assemble patterns and ship as soon as we have everything we need. Please note that the fabric I've used for this kit has unfortunately been discontinued, so once our inventory is gone, unless there is substantial interest that makes it worth going back to the manufacturer to have them actually dye more just for me, this kit will likely be gone, too.

The pattern-only option will also be available separately as a downloadable PDF, but not until sometime in the next couple of weeks. I'll post here when that is ready, too.

This kit is done with two plies of DMC cotton embroidery floss on 32-count linen. That means it has sixteen stitches per inch. If you are interested in seeing a tutorial on counted cross stitch, please read the one I did here.

I am working on doing a substantive cross-stitch-discussion post for you but I'm not done with it yet, and, if you are interested in ordering the PDF because you're worried the 32-count linen is too small, I think you'll want to read it. It will help you determine what supplies you need to purchase, particularly fabric. This is something I've been needing to write for many months, and I really am sorry it has taken me so long.

 

As you probably know, I also carry my favorite supplies in my web shop, should you need lovely, high quality tools. These are the exact ones that I use every day For this project, we have:

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Gorgeous little embroidery scissors.

 

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Hardwicke Manor 4" hoops.

 

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And size #24 tapestry needles for cross stitch on linen.

All supplies, and anything else you order at the same time, will be shipped along with your Time of Flowers kit. If you need other items before the end of March, when Time of Flowers ships, please place a separate order that will ship right away.

 

We do ship overseas! To place your order, you will be required to read this information, which contains details about international shipping and customs fees you may incur when ordering outside the U.S. (If you are overseas, the shipping cost charged by Posie does not include any further charges you may incur when importing goods.) To see the shipping-only costs for your order and location, just place the items in your cart and choose your location (or enter your zip code, if you are in the U.S.) and it will tell you how much the shipping is. As usual, I have a sincere request: Please check on and update your shipping address correctly in your Paypal preferences so that there is no confusion when we go to ship. If you do need to add things to your order or change your address after you've placed the order, just email me and we'll figure it out, no worries! I just like to remind people of this ahead of time, because it's a bit easier. Also, please know that USPS overseas shipping charges are going up like wildfire lately. I'm having to adjust my own charges to reflect the USPS changes.

Thank you so, so much for your interest in this kit and my work in general. I'm always so touched by your enthusiasm for embroidery and I truly hope you enjoy stitching this as much as I loved designing and making it. I'm grateful beyond words to be able to do this work, and your support of it means more to be than I'll ever be able to express. Thank you.

With much love and hope for beauty this spring,
Alicia

Dream of Spring

comments: 41

Time of Flowers blog

Oh, hello! I've been here, peeking in on my shady little glade. Frogs are croaking here. Mud is squelching. Winter's muck is being parted by new growth. In our yard, tiny choirs of tiny daffodils (my favorites are called 'Minnow') are starting to pierce the ground and prepare their songs. Our yard is still filled with brown — dead leaves, colorless stems of dead grass, old blooms, withered things — but everywhere below the surface the season is changing.

I come to the change a bit sullenly. Our winter here has been very mild, with almost no rain, and only one (beloved, wonderful) snowstorm. I guess it could always still happen, of course, but it doesn't feel like it will. As you walk around town you smell it — winter daphne. The fragrant harbinger of future blossoms. I do love it. And so it begins. Our plum tree is already dropping its first freckled fairy petals. The spirea begins to swell with its little buds. I have the bedroom window open behind the curtain every night now, and now we listen to the cold night sounds, and the early morning crows. Spring is coming.

I'm happy because I heard back from the distributor (Wichelt) about the discontinued fabric (I unknowingly chose) for this new cross stitch kit and they still have fifty yards in stock, out of which we can make four-hundred kits. I'm seriously thrilled by that number. I thought it would be, like, four. Or three. So I bought the fifty, and it's on its way. Yesterday I also ordered all the floss from DMC, and so it will be on its way soon, too. This will be another design, like First Snow, that will fit into an 8" x 10" ready-made frame. (I'm going to do one for each season, and just this morning I got my idea [pop! right into my head!] for my summer design.) I'll give you more details on this one for spring and will start taking pre-orders probably next week. If there is more interest beyond the four hundred, the manufacturer has agreed to dye more fabric (at, naturally, a higher cost, and with a six-to-eight-week lead time), but we'll cross that bridge when we come to it. We've sold 492 First Snow kits of the 600 we originally made, so I'm a bit worried we could go over the 400, if everyone does want to do a series of seasons, and I do want everyone who wants one to be able to get one. With my luck I'll probably sell four kits, total. Well, weeeeeeeeee'll see. Now I'm just rambling. We'll figure it out when we get there, no worries.

My creative mania, as it reduced itself from a rolling boil to a gentle simmer, seemed to also direct its interest (I'm speaking about "it" in the third person because I've lost control and am now disassociating, apparently) toward hand-dyed speckled sock yarn. Exclusively. Only hand-dyed speckled sock yarn. I mean??? This from the woman who has only ever, in twenty years, knit one sock. But, seriously, how pretty are these yarns? And these? Why am I so late in understanding about these? I saw some of them recently at Close Knit and Starlight Knitting Society and Twisted and I walked by them without a backward glance, fixated on All The Solid Colors. Now, just weeks later, I have gone back and bought them, and for fun I literally open my iPad and staaaaaaare at them on-line, all of these freckly wonders, and try to choose between them. I have a pattern picked out for a new Easter-ish sweater for Mimi, and have ordered several other skeins to work into the granny-square blanket, etc. I've bought yarn with sparkles in it. I really never thought I would do that.

via GIPHY

First Snow Available for Pre-Ordering

comments: 38

CoverBeautyBlog

The First Snow Cross Stitch Sampler Kit is now available for pre-order! Please CLICK HERE to order.

Finished Size of Design Area: 6"wide x 9"h (15cm x 23cm); 104 stitches wide x 144 high on 32-count fabric

The kit contains:

One 14" x 16" (36cm x 41cm) piece of 32-count embroidery linen in Star Sapphire by Wichelt
(55) 24" (61cm) lengths of various colors of DMC 6-ply cotton embroidery floss
Stitching instructions
Illustrated stitch tutorial for special stitch
Full-color cross-stitch chart with symbols over color blocks
One piece of chipboard for creating a floss organizer

You will need your own:

#24 tapestry needle(s) for cross stitch
Embroidery scissors
4" (10cm) embroidery hoop
Frame and framing supplies

If you are new to counted cross stitch, or need a refresher on the basics, please see my "how to do counted cross stitch" tutorial here.

 

Hello, my friends. I have a new design for you. I really love designing cross-stitch patterns. I NEED TO DO MORE OF THEM. I love them. I love the process of designing them. I usually start with one element — in this case, I couldn't stop thinking about what happened this summer when the bird stepped onto my finger. I've seen on Instagram that this is a whole thing, people who feed birds out of their hands. I think my heart would explode in a shower of birdseed if that actually ever happened to me. But this summer a little chickadee did walk onto my finger. He had flown through our (open) window into the dining room, and spent the morning flying from curtain rod to pendant cord to lampshade, not seeming to be in any distress but singing merrily away for hours. I was eventually able to coax him onto my finger and carry him back over to the open window, where he flew off (but not before trying to climb a ways up my arm, away from the window — ha!). Nothing like this has ever even come close to happening to me before, and honestly, I still think about it more often than you might believe. Every once in a while, when I'm sitting in traffic, or listening to the news, or carrying groceries — in other words, something generally not-my-favorite — I'll suddenly remember: A chickadee walked onto my finger! And in that moment I can feel his nervous little feet, remember how light he was, remember how my heart raced, and how I held my breath. . . . It really was like magic. . . . Well, that's what initially inspired this piece. So I started with that.

But then, after that, it's always a little bit of a mystery where the rest of the elements come from. Things just start popping into my head. I can see a little scene, almost like a little dream. I peek in on it. It feels a certain way. I knew the air was cold and clear there. I smelled the pine and heard the geese overhead. And then, as in my real-life, ever-present dream, I saw the snow starting to fall. And all of this comes in a bit of a rush. And so I draw quickly, even though I can't draw. I just put vague outlines of the elements, moving the pieces around until it feels right. And then I begin to work on the details of each element. And this can take me a while. I look at old cross-stitch books and photos of animals and houses on Early American samplers, and start putting together all of these little things I love. And then I sit around with everything for a few days, moving things a stitch or two to the left or right — and sometimes even hastily scrapping an entire element and swapping in something else. I'm weirdly pedantic ("They don't make the right shade of mauve for this!") and then weirdly capricious ("I'm getting rid of everything on the left side. Delete!"). And when it finally comes together in a way that pleases me just enough, I STOP, and print the chart, and just get stitching. And then again, I go go go. When I'm focused on my Posie projects, I'm intensely focused until I'm finished. If I don't finish in a burst, woe to the future of that project. It probably won't become a product. I like a lot of quiet (though my life is not very quiet, ever) but I can be intensely verbal sometimes. I find it fairly easy to express myself verbally. But there must be this other part of me that communicates in pictures, because when I'm designing patterns, especially cross-stitch patterns, I find that they satisfy a deeper, more mysterious need, one that's both visual and tactile.

Because I think I enjoy the stitching of the pattern every bit as much as I enjoy the designing of it. There's a strange sort of existential (I'm getting deep) relief in just following the chart. I feel the same way about knitting patterns, and even sewing patterns. Just, seriously, give me the chart so I can turn off the decision-making part of my brain. I, personally, do not improvise on the fly too much. I like to get all my changes down — I like to think them all through, if there have to be any at all, and then I like to get them down on paper so that I can relax. I only ever do the actual handwork part of crafting at night. And I'm tired at night. I'm not a night person and I never have been. I'm industrious but only in the quietest, most specific ways, and they involve nightgowns. And travel shows. And needles and threads of various sorts. And feet up up up. And not much thinking. Patterns are a blessing.

I think you will like this because, although it has taken me years — like, years and years — I've finally learned something about framing finished pieces of embroidery. It should be less expensive and I should do even more of it myself. To that end, no more custom-sized designs from me. I'm only going to design things from now on that fit in a ready-made frame. Framing custom pieces is just way, way too expensive. I'm sorry it's taken me so long to understand this. I'd much rather save my money to spend on supplies and patterns or kits (yes, biased) than frames.

So, to that end, this kit (like Love and Joy, last year's pattern) is designed to fit in a ready-made 8" x 10" frame. All you need to do is make sure the frame is deep enough to fit a piece of foam core (and glass, if you want to use glass. I never use glass. I don't like it. I have my embroidered pieces hanging all over the house, and I don't feel that they suffer appreciably for being exposed). What you will do is wrap you embroidery around a piece of foam core, and stretch it with the help of about a million sequin (about 1/2" long) straight pins. You can read my tutorial about how I've done that in the past (though I finished the rest of the framing with custom frames at a frame shop). But with an 8" x 10" piece you can even buy the pre-cut foam core at the craft store (JoAnn's or Michael's, or easily online) for just a couple of dollars. A frame store can also cut foam core for you for just a few dollars if you ask nicely.

I'm not trying to take anything away from frame shops or people who do a really good job framing embroidery. In my experience, though, there aren't that many of them out there, and it does take some skill. You could obviously take anything to a frame shop and have it done by them if you want to. But if you don't, and you have the patience and the time, framing something yourself for very little money can be really rewarding and a really fun part of the project as a whole.

This kit is done with two plies of DMC cotton embroidery floss on 32-count linen. That means it has sixteen stitches per inch. If you are interested in seeing a tutorial on counted cross stitch, please read the one I did here. Also, because it will take us into November to get these kits out to you, it will give me time to post a more in-depth discussion of cross-stitching, so if, after reading that first tutorial you find that you still have questions, please ask them here so that I can address all of them in another post to come.

Okay! Phew.

 

This kit will be shipping sometime in the second half of November. We will order fabric based on the number of pre-orders we get over the next several days, and I'll keep you posted on our assembly progress.

The pattern-only option will also be available separately as a downloadable PDF, but not until sometime in November. I'll post here when that is ready, too.

 

As you probably know, I also carry my favorite supplies in my web shop, should you need lovely, high quality tools. These are the exact ones that I use every day For this project, we have:

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Gorgeous little embroidery scissors.

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Hardwicke Manor 4" hoops.

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Twill tape to wrap around the inner hoop. You don't need to do this, but it's nice, and provides more tension to keep the fabric from slipping out of the hoop as you stitch.

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And size #24 tapestry needles for cross stitch on linen.

All supplies will be shipped along with your kit.

 

We do ship overseas! To place your order, you will be required to read this information, which contains details about international shipping and customs fees you may incur when ordering outside the U.S. (If you are overseas, the shipping cost charged by Posie does not include any further charges you may incur when importing goods.) To see the shipping-only costs for your order and location, just place the items in your cart and choose your location (or enter your zip code, if you are in the U.S.) and it will tell you how much the shipping is. As usual, I have a sincere request: Please check on and update your shipping address correctly in your Paypal preferences so that there is no confusion when we go to ship. If you do need to add things to your order or change your address after you've placed the order, just email me and we'll figure it out, no worries! I just like to remind people of this ahead of time, because it's a bit easier.

As I said last year, there is something so poignant and sweet about winter holiday crafting, to me. I honestly think it's the dearest, most optimistic kind of making we do all year. It doesn't have to be perfect, it just has to come from the heart. I hope this new little sampler kit provides you with many (but not that many; it's just the right size) quiet hours of peaceful stitching this season. And I hope it snows where you, and I, both are.

Love and joy to you,
Alicia

Couch and Cake Topper

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WHEW. There is little rhyme or reason in how these pictures are presented here. Everything's all over the place and that's probably a good metaphor for my mental state. Some of these things, like that sweater up there, I've been working on all summer. The pattern is called Carl's Cardigan and I used Woolfolk Far in Pollen for the yarn. I'm not even sure why this is the first time I've taken a picture of that sweater, since I've had it in my hands almost every single night for months. The stitch pattern seemed endless. It's basically ribbing, so you're constantly going back and forth between purling and knitting in each row, with a wraparound thing every fourth row. Et cetera. I finished it last night, now just need to block and add buttons. It's cute. The color is going to be really versatile. It's super stretchy, so even though it looks skinny, I'm hoping it will fit for a while. I'm turning into Practical Mom about kid-knitting anymore. It's weird how that happens. I never thought that would happen.

Okay, next. COUUUUUUUCH. I love it. I sit on it and never want to get off of it. It's called the Radley sectional from Macy's. I think the color was Chrome. It looks a lot like our old sofa but 1) it is soft and not scratchy, 2) it is tall instead of the height of a toddler bed (as was the Kivik, at least for me) and 3) it's firm and doesn't collapse like a souffle when I park myself on it at the end of the day. I got the protection plan thing with it so my goal is for it to be here for a long, long time. Thumbs up on that. Andy and I actually sit around at night and talk about how much we love our sofa. Middle age.

CAKE TOPPER. I made it. :))))))))) SUPER FUN. I started it this summer and I wish I could tell you exactly where I got everything for it but it was either JoAnn's or Michael's — I went to both places when I was shopping for supplies for this. The cake is made out of Fimo and I didn't make that — I got it years ago from someone's Etsy shop but I can't remember whose. The present is just a wooden block wrapped with origami paper. The bunting is washi tape cut into flags. The flag poles are stripey straws topped with mulberry-paper flowers (also had those, from way back when, when we used to sell clothespin doll kits). The balloon is made out of yellow Model Magic. Her dress is made of the same fabric Amelia wants her Hunca Munca birthday dress made out of (still gotta do that). I basically hot-glued everything together when I was done with the pieces and it was a total blast. I spent a long time looking at cake toppers on Pinterest for ideas, and then I actually whipped this out in a day or two, as I tend to do. This will go on top of the cake for Amelia's family birthday party, here in a few weeks.

The felt birthday crown: I got the idea for this entirely from the one that Ginny made for Mabel's first birthday. The embroidery pattern comes from this book. I forget how cool waste canvas is, because you can cross stitch (or, in this case, evenweave stitch) on anything. Then you soak the whole thing in water and that canvas becomes totally pliable. You use tweezers to pull the waste canvas threads out from under the stitches. It really isn't hard at all and it's really cool. The crown shape I just drew on a sheet of paper — well, I drew half of it, then flipped it. The crown is lined with really soft, thin pink polar-fleece. Amelia was mildly disappointed when she saw the birthday crown. She wants flowers all over it. She's sure I can do this. I'm not sure how I'll do this. . . .

I knew I'd taken a picture of her school dress before she wore it and put it on Instagram, but I wanted to post it here so I would remember it, because she didn't get to wear the blouse on the first day of school, since it was 100 degrees. . . . It's McCall's pattern #7590 from 1981. It's the same dress that I made her for her first day of school last year, but that one was plaid. I loved that one, too. This is one of my favorite-ever patterns on her.

Okay, what else. I rearranged Amelia's room for her last weekend. The lovely artwork in her room is from various places, but my favorites are the things made by friends and family: Amelia riding a bunny, which is possibly the coolest thing ever, and was a gift from Emily when Amelia was really little; a floral monogram from my friend Rebekka; the sweetest deer pair painted by my sister, Julie; the gorgeous dandelion photograph was taken by Amelia's birthmama; the silhouette of her when she was one was made by my brother-in-law. The mushroom light I got years ago and I don't remember where now. Maybe Smallable? It's European, I do remember that. The alphabet samplers are my designs and patterns are here (and by the way you can get a wool pack for that project now) and here. The pillow on the chair is a project I made for my second book, years ago. I'm going to make a new one with my punchneedle and I can't wait to start it. I found vintage Laura Ashley sheets on eBay and I was psyched. They are hard to find.

I'm finished with my new wintertime cross-stitch sampler for this year, and will open pre-orders for it in few weeks, after Amelia's birthday parties when I'm more organized again. You can see a glimpse of it up there. I am excited about it. I have some ideas for the cover photo I want to try. So stay tuned for that. I don't have a good sense of what the numbers will be for this kit so that's why I want to do pre-orders to make sure we get the quantity right. Not too many, not too few. Normally pre-orders make me ridiculously nervous. But we have the floss in hand already for up to 600 kits, and the fabric manufacturer has the fabric coming in in a few weeks, so I think it will be a good idea to do pre-orders this time. These projects are easy to do when I'm doing them but hard for me to re-issue once they're sold out, so if you're interested in this, I'll keep you posted. Many of my old kits are sold out and won't be reissued. Now that Amelia is in school every morning, I have more time to work, and I want to focus on my new ideas for patterns and kits for 2018.

Anyway, what else. My charity quilt. When Hurricane Hugo Harvey (!) hit, I wanted to make a quilt to raffle off for charity. There have been several other heartbreaking disasters since then, including Irma and now Maria in Puerto Rico, that I would like to contribute to as well. I haven't started the quilt yet the way I thought I would have time to, but I'm still planning to do it soon. I'm not quite sure how to make it available — someone told me they did a raffle and got in trouble for it because it was considered gambling, or something like that, so I will have to look into it and I just haven't had the wherewithal yet. But it's all on my list. The needs are great. I don't even know the best ways to help. Helpless feeling.

We went with our pre-school to see the swifts the other night. That's an event that happens here every fall where the Vaux's swifts use a local school's (unused) chimney to roost in at night on their annual migration. See all of those little freckles in the photo of the school chimney up there? Those are the birds. Here is a pretty rad video of what this looks like when they final spiral in. It was a really fun night. Everyone brings blankets and picnics and watches from a hill — it's a perfect viewing spot for the show. The weather was excellent, too.

Well, that's it for me, I guess! I hope you are all well! Thanks for looking at all my stuff! Have a great weekend!

***Ooops, forgot the sweater picture originally but it's there now, and thanks for the head's up on Harvey! Doi! Slaps forehead.

Snow Day

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Oh, snow. I wait, I wait. When it comes, I'm beside myself, even though, almost every time, snow in Portland quickly turns to ice. I can't get off my own front porch. The enormous orthopedic shoe I wear on my left foot has as much traction as a salad plate, and is almost as big. Nevermind; the winds were too strong to brave going out, anyway. The branches on the black trees whipped and whistled. The air was ice cold. I pushed open the back door against the wind and scooped cup after cup full of snow; she ate it with an espresso spoon. We sat in the upstairs windows and watched the slice of neighborhood we are granted to observe. No one came, no one went. The mail lady came and quickly went. Inside, Amelia nibbled on raspberries and watched Frosty the Snowman and Rudolph the Red-Nosed Reindeer. I drank hot chocolate and took a bath and read Farmer Boy. By dinnertime it was raining ice. I flung salt toward the front path from the front porch. Not even from the porch — from the door. Ice covered everything. On the way home, around 9:00 p.m., Andy's bus broke a tire chain on the bridge. Everyone but Andy got off the bus and onto some other bus. He sat and chatted with the bus driver, who was from Cleveland. Eventually, someone came with new chains. He made it home and I relaxed. This morning, ice still covers everything but it's raining hard. We're having a party tonight.

Above: the ornaments I made for Amelia's little tree and our mantel. I loved making every single one of them. The gnome and mushroom and raccoon and owl are from Little Dear (Aimee Ray); the running bunny and animal portraits are from Bumpkin Hill; the angel is from I. Manufatti; and the winter girl is from Mimi Kirchner. I bought a bunch of these patterns last year and just never got around to making them. I made almost all of them over Thanksgiving weekend, and stitched the year on the back of each (unless I forgot, which I did sometimes). I got the stockings from Etsy, too; just search for "vintage quilt stocking." There are tons of them.

Every night, for weeks now, I have been knitting Amelia this sweater. It's bottom up, and I'm not even to the sleeve join. I've never knit anything so slow in my life. I love it but . . . ugh. Every. Single. Night. That lace pattern just doesn't grow. I've looked at a few versions of it on Ravelry and I like the look of the lace unblocked and sort of squished down, so, there ya go — even slower, then. Hopefully I'll finish it while it's still cold out. Last night while I was putting her to bed, we were lying in the dark and she said, "Mom? I want you to knit me a [insert me bolting upright here] sweater . . . with buttons on it, in the front." Me [feigning nonchalance]: "Oh, a cardigan? Sure, baby. I'd love to. What color?" Her: "Pink . . . no, rainbow!" It took every ounce of strength I had not to jump out of bed and run downstairs and start surfing Ravelry for patterns. Fifteen hours later and I've got pattern picked and yarn on order. . . . Hurry up, Faunajakke lace!!! I've got an order for a sweater from my kid.

Another conversation: "Meems, don't you think it would be nicer to keep your room cleaner and not have so much stuff on everything and falling off of everything all the time?" Her: "No." Me: "But don't you think that when it's too cluttered and there's too much stuff on your nightstand you can't see what you have to play with because there's too much stuff everywhere?" Her: "No."  Me [flailing]: "Oh. But if there's too much stuff in your way it's kind of overwhelming and you can't, like, play with it . . . very well . . . because it's falling . . . everywhere?" Her: "No." Me [twitching]: "Um. . . ."

Santa Lucia nightgown at the ready. Milk-white flannel. Tiny lace trim and a silk ribbon. Simplicity 3586. We do agree about this.

Thank You Very Much!!!

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* * * T H A N K   Y O U   E V E R Y B O D Y ! ! ! ! ! * * *

Thank you, thank you for all of your orders and enthusiasm for the Love and Joy kit.
I was just not expecting that.
We sold out in a couple of days.
Then we raided all of the Winterwoods kits for their fabric and made some more Love and Joys.
And then we sold out of those. :(

BUT!

The fabric supplier is shipping more fabric to us today.
I've put another 100 kits in the shop, as we have just enough floss to make 100 more.
If you missed out the first time, here is your chance to order.

Click here for a Love and Joy kit.

We won't ship until sometime next week, after the fabric comes in.

If you already purchased the digital pattern but you would like a kit instead,
I will refund the cost of the digital pattern (because you will get a printed pattern with the kit).
Please leave  me a note on the order page (not the Paypal page) or
send me an email and let me know to refund for the pattern and I will do that.

I'm sorry for the frustration! We try to guesstimate these numbers as well as we can so that things sell quickly but not too quickly, but it is hard with some things.

I will be writing to everyone who sent me an email about this or left a comment.
I'm rushing around trying to get lots done today.

Sorry for writing in centered-speak. I thought it was kinda cute.

* * *

I wish you all a very happy Thanksgiving, and a peaceful time of cooking and gathering together.
Thank you all for paying such loving attention to all of our daily comings and goings and for being such bright lights in my life. I am very grateful for you and your kindness, and all of your kind words and support throughout these many years.
I truly appreciate the efforts you make to share yourselves here. You are the nicest people ever.
Thank you.

Love,
Alicia
and Andy and Amelia and Clover Meadow and The Beeeeeeee
XOXOXOX

Love and Joy Come to You

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LoveAndJoyBlog2

Stitching is just plain good medicine. Put on your coziest clothes, turn on the twinkly lights, make some tea, find a good movie or your favorite music, get a full-spectrum spotlight (that's the one I have) for those dark nights, call your puppers or your kitters or your friend to your side, thread your needles, and stitch your heart back together. If yours feels good but you know someone who could use some love, stitch one for them. Even if cross stitching is not for you, I sincerely encourage you to find one of the needle-arts that appeals to you and make something sweet and simple by hand this season.

DetailBlog

This one, of every cross stitch kit I've ever designed, is probably the easiest. It's fairly small (the design area is about 9" wide by 6" high), fairly simple, doesn't have too many colors, and has elements that connect just enough to make counting fairly easy.

What is also nice about this, unlike almost every other cross stitch pattern I've ever designed, is that it can fit into a standard (8" x 10") frame. Wow, is it ever cheaper to frame things this way. What you can do is go to your local frame shop and ask them to cut you a piece of white foam core just slightly smaller than fits into a standard frame. (My local shop literally charged me $3.00 to do this.) You are going to wrap the fabric around this board, so you probably need the board to be about 1/8" shy, on every side, to make room for the fabric in the frame. Get some sequin (short, about 1/2") pins and follow my directions for stretching your finished piece here. Make sure that whatever frame you choose is deep enough to hold the foam core board and still put a backing on. I think that you could also get a frame shop to cover the back with paper and put hangers on it, if you did everything else (to keep costs down). And of course, a frame shop could do this whole thing for you but you would still save money not needing a custom-sized frame, because frames can be just ridiculously expensive.

The Love and Joy Cross Stitch Sampler KIT is available HERE.

If you would like just the downloadable PDF PATTERN, it is available HERE.

Here are the details:

Finished Size of Design Area: 9.14" x 5.79" (23cm x 15cm); 128 stitches wide x 81 high on 28-count fabric

The kit contains:

One 14" x 16" (36cm x 41cm) piece of 28-count Zweigart Cashel linen in Smokey Pearl
(29) 24" (61cm) lengths of various colors of DMC 6-ply cotton embroidery floss
Stitching instructions
Illustrated stitch tutorial for special stitches
Color cross-stitch chart with symbols
One piece of chipboard for creating a floss organizer
*Frame not included.

You will need your own:

#24 tapestry needle(s) for cross stitch
Embroidery scissors
4" (10cm) embroidery hoop
Frame and framing supplies

If you are new to counted cross stitch, or need a refresher on the basics, please see my "how to do counted cross stitch" tutorial here.

Also, as you probably know, I also carry my favorite supplies in my web shop, should you need lovely, high quality tools. For this project, we have:

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Gorgeous little embroidery scissors.

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Hardwicke Manor 4" hoops.

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Twill tape to wrap around the inner hoop. You don't need to do this, but it's nice, and provides more tension to keep the fabric from slipping out of the hoop as you stitch.

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And size #24 tapestry needles for cross stitch on linen.

All supplies will be shipped along with your kit.

We also have a limited number of wintry older kits left. There are 101 Winterwoods ABC Samplers:

WinterwoodsBlog

Winterwoods

We have 42 Ice Skating Afternoon Ornament Kits left:

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We have about 60 of each of Snow Day and Night Before Christmas, which we did reissue again a couple of years ago:

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We only have  21 Phyllis Mouses:

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And about 100 each of Basil Fox and the Cold Day outfit (for boys and girls, sold separately but fits all the animals)

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Of everything else, we do have a pretty decent stock or none at all. Any kits that you do not see on the web site most likely will not be coming back, especially animal softies and ornament kits. I am probably going to bring back a limited supply of My Sweetiepie Sampler kits sometime in 2017, but it won't be anytime soon. I really, really want to make room in my brain and in my space for some new ideas and new kits in 2017.

We do ship overseas! To place your order, you will be required to read this information, which contains details about international shipping and customs fees you may incur when ordering outside the U.S. (If you are overseas, the shipping cost charged by Posie does not include any further charges you may incur when importing goods.) To see the shipping-only costs for your order and location, just place the items in your cart and choose your location (or enter your zip code, if you are in the U.S.) and it will tell you how much the shipping is. As usual, I have a sincere request: Please check on and update your shipping address correctly in your Paypal preferences so that there is no confusion when we go to ship. If you do need to add things to your order or change your address after you've placed the order, just email me and we'll figure it out, no worries! I just like to remind people of this ahead of time, because it's a bit easier.

There is something so poignant about holiday crafting, to me. I honestly think it's the sweetest, most optimistic kind of making we do all year. It doesn't have to be perfect, it just has to come from the heart. I hope this new little sampler kit provides you with many (but not that many; it's just the right size) quiet hours of peaceful stitching this season. And I wish you all the love and joy in the world.

XOXOXOX,
Alicia

'Night, Neighborhood Cross Stitch Sampler Kits (and Pattern) Now Available!

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I'm going to Wisconsin this summer, back up north to, among other places, the little island at the top of the Door County peninsula where I used to go, year after year, on vacation with my family when I was a child. On Washington Island, we stayed in a campground — such a pretty campground — in our pop-up trailer. It wasn't a loud or raucous place, and it was pretty empty most of the times we were there. The camp sites were in a little forest, light and airy with pretty, light-green-leaved trees. I remember waking up in the morning in the trailer and watching the shadows of the leaves dance on the canvas pop-out, and it would be hot in there. At night, we would cross a big meadow to get from the camp sites to the lodge where the pinball and pop machines and showers and bathrooms were. You had to pay for the shower with quarters and that shower was gorgeous. (It was either that one or another one, but in my mind it was that one.) Back at our old house in River Forest, we always ran out of hot water. At the campground shower, with a baggie full of quarters and an enormous, cedar-paneled, skylight-lit shower-room to myself, I stood under the hot, rushing water until my three bucks ran out, and it felt like forever. At night, walking across the meadow, you could see a million stars, the whole Milky Way above you as you tried not to stumble in the long grass, or drop your toothbrush or your towel, or wonder if it had been a bat that had just buzzed you in the cricket-filled night-silence, for fun. I loved that night walk so much. Coming back through the woods, you'd pass everyone else's little tents, little twinkle lights, little campfires, and soft laughter in the darkness. Enchanted evenings. I'm so excited that Amelia will get to see fireflies this summer. We don't have them here in Oregon, and I miss them.

I think this sampler was inspired by those long-ago summer nights. I started designing it shortly after I found out we were going to Wisconsin, and to Chicago. I think it also reminds me of our walks with Amelia around our own neighborhood here in Portland, which occasionally, at certain times of day, reminds me of the one I grew up in (outside of Chicago). She's just starting to draw — numbers, letters, flowers, wings, sun, moon — on the sidewalk with chalk, and the simple beauty of her marks makes me so nostalgic and I can hardly breathe, sometimes. "Moms cry when they are very happy!" she announced to her grandma the other day. "That's true," said my mom while I swallowed hard, and smiled at them.

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So, this is 'Night, Neighborhood. It's a pretty decent size, as designed, with a design area of 12" x 14". It's done on Belfast linen (which is the same linen that My Sweetiepie ABCs sampler is done on) in Amsterdam Blue, using two plies of DMC floss. I love it. I loved designing it and I really loved stitching it. Every element is interesting enough that you never get bored, and small enough that by the time you're ready to be done with that element, you are done. That's sort of the perfect project, for me: parts and pieces that are, in and of themselves, not too difficult and fairly interesting, but that also add up to something that's unique and cool. I'm a bit smitten with this one. (You can click on the images above to see them enlarged.)

The 'Night, Neighborhood Cross Stitch Sampler KIT is available HERE.

If you would like just the downloadable PDF PATTERN, it is available HERE.

 

Here are the details:

Finished Size of Design Area: 12" x 14" (30.5cm x 35.5cm); 192 stitches wide x 224 high on 32-count fabric

The kit contains:

One 18" x 20" (46cm x 51cm) piece of 32-count Zweigart Belfast linen in Amsterdam Blue
(64) 24" (61cm) lengths of various colors of DMC 6-ply cotton embroidery floss
(2) 24" (61cm) lengths of specialty thread
Stitching instructions
Illustrated stitch tutorial for special stitches
Color cross-stitch chart with symbols
One piece of chipboard for creating a floss organizer
*Frame not included.

You will need your own:

#24 tapestry needle(s) for cross stitch
Embroidery scissors
4" (10cm) embroidery hoop
Frame and framing supplies

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If you are new to counted cross stitch, or need a refresher on the basics, please see my "how to do counted cross stitch" tutorial here.

As with the Sweetiepie, I think one of the "hardest" parts of making this sampler will be organizing the 64 lengths of floss (in 39 colors) that you will receive in the kit. The floss will come to you in two separate hanks, with 32 24" lengths in each group. The pattern includes a list of floss colors and numbers, along with their symbols as used in the chart, organized into the two groups. I've included a piece of chipboard (thin cardboard) and the instructions for making floss organizers like mine.

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To help you separate the colors, which can be a bit tricky but not really too bad (since you are given the number of lengths included and the color name, which provides a general description of the color itself) I've put some large photos of my floss, all organized, up on my web site here. This should help you figure out how to tell the colors apart, relative to each other. 

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Remember, you need to separate two plies away from the six-ply embroidery floss length to work the cross stitches throughout the sampler. Special stitches, including backstitches and French knots, use one or two plies, as indicated in the instructions. If you don't know how to do these stitches, I've included illustrations and directions for working them in the pattern.

The chart you will receive is quite large, larger than the actual size of the finished piece, and it is broken into four separate full-color one-sided pages. I used a new printer this time and the printed photos and the chart look gorgeous, if I do say. You can use the pages individually or cut them out and tape the chart together, overlapping the grayed areas. Each color has its own symbol, keyed, as I mentioned, to a list of color names and DMC's assigned floss-color number. To work the design, you follow the chart, counting stitches as you go.

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It also really helps to have something white, like a dishtowel, on your lap as you stitch. The holes in the fabric that you need to stitch through are so much easier to see.

Also, as you probably know, I also carry my favorite supplies in my web shop, should you need lovely, high quality tools. For this project, we have:

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Gorgeous little embroidery scissors.

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Hardwicke Manor 4" hoops.

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Twill tape to wrap around the inner hoop. You don't need to do this, but it's nice, and provides more tension to keep the fabric from slipping out of the hoop as you stitch.

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And size #24 tapestry needles for cross stitch on linen.

All supplies will be shipped along with your kit.

We do ship overseas! To place your order, you will be required to read this information, which contains details about international shipping and customs fees you may incur when ordering outside the U.S. (If you are overseas, the shipping cost charged by Posie does not include any further charges you may incur when importing goods.) To see the shipping-only costs for your order and location, just place the items in your cart and choose your location (or enter your zip code, if you are in the U.S.) and it will tell you how much the shipping is. As usual, I have a sincere request: Please check on and update your shipping address correctly in your Paypal preferences so that there is no confusion when we go to ship. If you do need to add things to your order or change your address after you've placed the order, just email me and we'll figure it out, no worries! I just like to remind people of this ahead of time, because it's a bit easier.

Thank you, as always, for your enthusiasm for and interest in my work. Posie is a true cottage industry. I love what we (my assistant Stacey, Andy, and I) do and am hugely proud of how we do it. I'm sincerely grateful for your support of all of my interests and endeavors. Your attention is such a gift. Thank you for it, and for being here, all these years. Xoxoxoxo.

If you have any questions, leave them in the comments and I will get back to you here. Thank you!

About Alicia Paulson

About

My name is Alicia Paulson
and I love to make things. I live with my husband and daughter in Portland, Oregon, and design sewing, embroidery, knitting, and crochet patterns. See more about me at aliciapaulson.com

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Photography

Since August of 2011 I've been using a Canon EOS 60D with an EF 18-200mm kit lens and an EF 100mm f/2.8 Macro lens.