Posts filed in: February 2022

Quilt Back Details

comments: 20

Quiltback1

I loved reading all the comments on the Fluff Pouf post. Thank you! A few people did have questions about how to do the back and finish the quilt so I took some pictures last week of the green and pink quilt and thought I'd walk you through the process with me. It was really dark the day I took these photos so they're a bit dark and grainy (and I know, the hot tub in the background really adds to the effect) but hopefully you can see the things I'll be pointing out. Above is the big pile of scraps I start with when making the quilt top. I put the pile next to my sewing machine and just paw through it while looking for the next piece I want to sew.

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Here is the finished quilt top, waiting for its back.

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Here's an adorable child who loves to iron her own little pile of scraps. <3 <3 <3

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I measure the top of the quilt and then piece together a back that's just a few inches bigger on every side than the top. You don't have to go crazy and make it extra, extra big. I have been putting a strip of scraps from the same fabrics as the front and which includes a little cross-stitched patch (done on cross-stitch linen) that has my initials and the year. When I have that all together, I lay the Ikea comforter down first, lining up one of the corners with the corner of my table and letting the rest of it hang over the back. Then I put the backing down, right side up, lining up a long edge very close to one of the long edges of the comforter. We'll get to why in a minute.

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Here is the comforter and the back hanging over the back edge of the table.

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Now I lay the quilt top right-side-down on top of the back.

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If you want to have it oriented a certain way relative to the back -- if you have a definite top edge and bottom edge to your quilt top that you want to have oriented to the label patch on the back, or the patched strip, for instance -- you need to think this part through a bit, and make sure it's turned in the right direction. What's going to happen is that you will sew around all four sides through all three layers, leaving an 8"-10" opening through which you will "turn" the quilt. You want this opening to be on one of the edges of the quilt (not at a corner). I usually situate it toward the bottom (if there is one), on a "long" patch where I won't encounter any seams. See my red line above for where I plan to leave the opening on this one.

Now, this applies specifically to using the Myskgras comforter as batting: When you cut this batting, you will see that it is literally just fluff between two layers of very thin polyester webbing that they've "quilted" with straight lines in a grid maybe a foot apart. You do not really want to cut this "batting" to trim it before you've sewn around all of the edges to secure all of those layers together. Because I will have to leave an opening to turn the quilt, I situate the opening very close to a finished edge of the comforter, and you'll see -- I won't cut off the serging at that edge just where the opening is, because once I turn the quilt right-side out, I'm going to fold that edge in, along with the backing and the top, and then machine-stitch (through all three layers) that opening closed. Keep that serging intact right there so that the fluff doesn't just plouf out all over the place. We'll talk about this more in a minute. . . .

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Because first you're going to pin all the way around the edges of the top. I use straight pins, and I pin every couple of inches.

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When the first half is pinned, I let it hang over the table and do the other side. Then I drag the whole thing over to my machine. Straight pins can be a bit tricky when you're doing this, I will admit. But they are easier for me to manage than safety pins. And when I stitch all of this together, the batting is so poufy that the pins kind of sink into it, and honestly, it works for me to stitch right over the pins and take them out afterward. That may not work for you. I mean, generally, you really don't want to sew over pins with your machine -- it can be super dangerous to do that. But when there's so much bulk as there is here with this batting, the pins just sink right in. I use a walking foot on my machine and I have no problem with the fabric shifting. Leave the opening open and backstitch on either side of it.

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After everything but the opening is stitched, I trim the extra batting off. I usually leave a bit of extra backing and batting in the seam allowance -- I probably trim those with about a 1/2" extra all the way around, just for insurance. I trim the batting at the opening as you can see in the photo -- leave the serging intact at that opening edge. Once you turn the quilt, you're going to tuck all of that in and stitch the opening closed through all layers.

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Here's the quilt, mid-turning. You're going to pull everything through the opening and then get it all smoothed out. Poke your corners out gently. I do not trim the triangles off of the corners. Don't trim them. It's fine. Just turn everything right-side out.

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And here it is, just waiting for the opening to be stitched, which apparently I didn't take a picture of. But you get the gist, I think! I guess I should do a tying tutorial now, eh?

Fluff Pouf One

comments: 46

Quilt1

Quite pleased with my fluff pouf!!! I decided to keep it! :) It fits right in here and is warm and soft and cozy and wrinkled and creamy and cushy and sweet. I used an Ikea Myskgras to fill it and tied it quite minimally with some Anchor perle cotton #8 that I had.

QuiltPhone1

I got a question in Instagram when I posted a picture of the top about how I did this, so I thought I'd talk a little bit about it because maybe it will encourage someone else to make a quilt who might otherwise be intimidated.

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I came from a sewing family but not a quilting family. I learned to sew at home with my mom, but she sewed clothes and not quilts. Sometime in the early 1980s we had a pattern and we were going to make a biscuit quilt out of mint green calicos and I think we even got as far as to cut everything out but then . . . I'm not sure what happened. It didn't get made. How I wish I had those squares now! The biscuit quilt is getting popular again. I saw a bunch of them on Pinterest and they are so cute.

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When I was a junior in college I lived with my two best friends off-campus in a little white house on 8 1/2 Avenue. One night an older friend came over with a patchwork quilt she had been making for her sister for Christmas. She had cut a bunch 8-inch squares of all different kinds of fabrics (cottons but also corduroys and silky stuff) and had sewn them together and had put a border on it all and it was just gorgeous. (She was an artist so her color sense was awesome.) My friends and I were all inspired and I think all three of us decided to make quilts immediately. We didn't have a rotary cutter or self-healing mat and I'm sure we wouldn't have even known that those existed. But we did have a sewing machine and scissors, and we took a piece of cardboard and cut out a big square and traced it onto the backside of fabrics with a ballpoint pen and cut out all the squares with the scissors. We didn't have money so we went to the fabric store and bought bargain fabrics and calicos from JoAnn's or whatever fabric store we had back then in the Quad Cities; I don't remember what it was called but it wasn't fancy. At some point with a school field trip for religion class I went to a fabric store in a barn (I think?) outside of Kalona, Iowa, that was owned by Amish women. It was the best fabric store I've ever been to. They had Liberty Tana Lawn, and that was the first time I'd ever seen that fabric. They had so many beautiful fabrics. They had no electricity so it was really hard to see what you were getting. One time I bought fabric (I'm pretty sure now it was Lodden) that I thought was green and when I got it outside it was dark gray. I told my roommates about it and we went back several times over the next couple of years. So our quilts had bargain-table calicos and then pieces of exquisite Liberty lawn and that just makes me smile. Isn't life funny? I never dreamed I would be doing basically the same thing, thirty years later. (I've written about this Amish fabric store — I have no idea what it was called — before and someone mentioned that it went out of business long ago.)

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Anyway, cut to thirty years later. . . .

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My scrap basket overflows. I've made many things since I moved into this house in 2000. I've made clothes for myself and my daughter and quilts and I've made bags and aprons and other random stuff to sell and I've sold kits and, I don't know . . . I've made a lot of stuff out of fabric. I have a lot of yardage, still. But I have A LOT of scraps. I have a giant basket in my office and it is filled almost to the brim. I also had three big plastic bins into which we dumped out the giant basket a few times. The plastic boxes were in the attic but Andy brought them down for me a couple of weekends ago. I hadn’t thought about them in a long time but suddenly I wanted them. It was like opening a time capsule. I borrowed my neighbor's tabletop ironing board and put it on the sofa and ironed a bunch of scraps while watching TV in the living room.

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That’s how these quilts (I've made two this week and have started a third, but these photos are of only the first one) started. I reached into the plastic box and I pulled out a scrap and I ironed it flat. Then I did it again (and again) and started building a stack. The scraps are pretty random — some of them are cray shapes that got leftover after cutting out pieces for making clothes. Some of them are strips that have one straight edge and one raw, crooked edge, and are the last, wonky cuts from the hundreds of 4.5" strips we have cut for Calicozy kits. Some are strips of other sizes. Some are just random rectangles or squares from I-don't-know-what — old projects, old quilts, stuff I've found on eBay and at estate sales, stuff someone found in their mom’s basement and sent to me. It doesn't matter what they are. I ironed them flat if they weren’t  already and just put them in a stack. I don't arrange them by size or color because I literally don't have room to store anything in a fancy way like that. It's all going back into the plastic box, ultimately — well, it's going back into the plastic box if it doesn't get "chosen" for the quilt that's about to get made.

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When I'm about to actually make a quilt, I pull out part of a stack. I start going through it, piece by piece, and picking out the fabrics that I want. Sometimes I have a color-scheme in mind (the quilt pictured here was pretty random, but one I made after it was "purples, light blues, and creams"). The one I worked on today was pinks and greens (no blues). Inevitably, they all have pink, they don't have red or most primary colors (I just don't use a lot of those colors in what I sew), they usually have a few dark patches that ground them and just . . . I don't know . . . tie them into the stuff of the rest of the house. The doorknobs, the TV screen, the fireplace. Just a little bit of dark to hold them in place and give them some depth and dimension.

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Then I will take that edited stack — and I just kind of eyeball how much I think I'll need for a quilt top (lately they've been a generous throw size, about 58" square) — and only then will I start trimming those pieces into the largest kind of rectangle or square I can get out of each piece. If it's a strip and it looks pretty even, I'll trim off the selvedges. Then I'll take that stack and throw it on the table next to my sewing machine, literally throw it, just all in a big, messy pile. To start sewing (I use cream-colored thread, or whatever's generally close to the color scheme, and I wind up a few bobbins because you need three or four to get through the whole thing), I just start looking for two smallish pieces that each have an edge that is roughly the same length. I sew those two edges together with a 1/4" seam. I'll finger-press the seam open and then look for another piece that has an edge that might work if it goes perpendicular to those two pieces. If it's a little bit bigger that's good, but if it's a little smaller I can always trim that first pair. When I get three or maybe four pieces put together this way, I'll take them over to the ironing board and press them all flat. I usually just press the seams to one side or the other, however they most want to fall.

QuiltPhone5

Do you know how to make a log cabin quilt block? I do it the way my friend Susan taught me because you do it with strips, not fussy-cut pieces. I basically put "blocks" together using the same method. That is, I sew a few pieces together, and then just keep adding strips along the side. Sew on a strip, trim it (with scissors, if it's easy enough), press it. As the block (and, just to be clear, it's not really a block in that it's not going to be square — it's just going to be a piece that gets bigger and bigger) get bigger you can trim it with your rotary cutter so that it has nice straight sides and right angles. As the piece gets bigger (maybe a third of my "target" total width, or somewhere around there), I hang it up on my wall (which is in front of my sliding-glass door — that's the only empty wall I have in my studio) and let it rest there and start another one. When I get a few pieces, I measure them and see how wide they are together.

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Once the pieces start getting bigger, you can shift them around and see how they work together. Think about whether you need a color, or a color value (dark/light) to go somewhere. Add strips or small collections of blocks to start building pieces that will be the same length, always keeping your target quilt length and width in mind. It gets a bit fussy as you get near these target measurements. You'll start doing more trimming (and your edges will get longer, so it's a bit tricky) and measuring. But before you know it, you'll have a quilt top. And you'll have very little wasted effort or fabric. Piece some stuff together from your pile and add a label in there (I cross-stitched mine, on gingham evenwweave fabric) to get a backing piece.

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After I stuff and turn and tie it, I wash it in warm water and dry it in the dryer. I like it to get all wrinkled and smooshy and soft. It gets softer as it gets older. A few people over the years have asked me about the Myskgras and whether it can go in the dryer. I have dried mine many times and it comes out perfectly fine. It is polyester, so it's not a natural material, and if that's important to you I've found that wool batting can have a similar loft and be really wonderful and warm and awesome, though you'll probably have to tie it a lot more so that it doesn't come apart inside (the label on the batting will tell you how far apart you can quilt or tie). I use comforters as batting because I'm basically making a duvet with a non-removable cover — I don't like duvet covers shifting around everywhere and I do like the simplicity of comforters.

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These are not the best pictures because I took most of them on my phone and the light has been pretty dim here lately. But you get the general idea. I'm making more and I'll have more pictures of them. If you have questions about this process just let me know and I will answer them.

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I think this is a pretty good way to use up scraps, and I also think it's a good beginning project (though, obviously the way I do it does involve already having a lot of scraps, and if you're a beginner you might not have those yet). And if you're a beginner and you want to make a different kind of quilt, or one with an actual pattern, just don't be intimidated by quilting blogs. You will see they have a lot of advice and a lot of rules and might make you feel as if you can't take a piece of cardboard and trace around it and cut out some squares with scissors and sew them together if you want to. But you can. Don’t even worry. You really can.

GirlsPhone

Me, Martha, and Ann on 8 1/2 Avenue in Rock Island, Illinois. Taken by our friend Kurt, May of 1990.

Tattered Hearts

comments: 4

Tattered Hearts blog

I made some Tattered Hearts on little wire hangers out of my cutter quilt. They are $32 each and, even though the USPS for some inexplicable reason took away my neighborhood mailbox that I use every. other. day. (I did a double-take when I arrived — where did it . . . go?) I am shipping stat! XOXO

*** SOLD OUT! Thank you so much. I will make more from this quilt. Stay tuned!

About Alicia Paulson

About

My name is Alicia Paulson
and I love to make things. I live with my husband and daughter in Portland, Oregon, and design sewing, embroidery, knitting, and crochet patterns. See more about me at aliciapaulson.com

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