The Secret Garden Collection Now Available for Pre-Order comments: 22

Hello! Is it snowing where you are? We're having sunshine today. Andy and Amelia are working in the front yard, lifting muck off of the borders and uncovering tender daffodil shoots and tulip leaves. It seems like the perfect day to let you know that our Secret Garden Collection is finally available for pre-order! (To read about my inspiration for these items, please see this blog post.)

Pictured above is BLACKBERRIES AND HEATHER-BELLS — a sweet little design that fits inside a 6" (15cm) hoop (included in the kit) that acts as a frame. With a robin, blackberries and blossoms, heather flowers, ivy leaves, and a hidden key, this design is done in just one ply of DMC embroidery floss and you will be so amazed at the kind of detail you can get with just one ply! I honestly think you will love blending the colors a little bit to get a very naturalistic effect. It's so much fun, is easier than it looks, and actually goes really quickly. The kit costs $22 and will ship toward the end of April, 2019.

Finished size of design area: About 4" (10cm) in diameter

This kit contains:

• One 9" x 9" (23cm x 23cm) piece of Kona Cotton (100% cotton) fabric by Robert Kaufman in color Pickle
• One 6" (15cm) plastic faux-wood Flexi-hoop for (very easy!) framing
• One 6" (15cm) piece of wool-rayon felt for backing
• (34) 24" (61cm) lengths of various colors of DMC 6-ply cotton embroidery floss
• Stitching instructions and color chart
• Illustrated stitch tutorial for special stitches
• Black and white line drawing for tracing design onto fabric
  
• One piece of chipboard for creating a floss organizer

You will need:

• #5 sharp needle(s) for embroidery
• Embroidery scissors
• 4" (10cm) embroidery hoop (for stitching)
• Water-erase fabric marker

To purchase the Blackberries and Heather-bells Embroidery Kit, please CLICK HERE.

 

The second project from the Secret Garden Collection are the MISSELTHWAITE MITTS.

The same sweet motifs embroidered on this little pair of fingerless mitts are done in duplicate stitch. Knit flat, then embroidered, then stitched up the side with openings left for the thumbs, these handwarmers are perfect to wear at winter’s end, when the soils are just starting to warm and the smell of new growth is in the air. Knit with hand-dyed single-ply fingering-weight 100% Merino yarn, they are easy to make and so soft.

Please note that because I am dyeing all of the yarn to order, I will do my very best to match the colors you see here, but because of the nature of hand-dyeing, there may be some variation. The kit costs $42 and will ship toward the end of April, 2019.

Finished size of mitts: 3.25"w by 8.35"h (8cm x 20cm); to fit average adult woman's hand

This kit contains:

• One 115g (434yd) skein of single-ply fingering-weight Merino yarn, hand-dyed by me in Misselthwaite Green
• One pack of cut lengths of the same yarn, hand-dyed in a rainbow of colors for making duplicate stitches
• Knitting instructions
• Illustrated stitch tutorial for making duplicate stitches
• Color charts indicating placement of duplicate stitches

You will need:

• Size US 1.5 (2.5mm) needles, or size needed to match gauge
• Yarn needle
• Row counter

To purchase the Misselthwaite Mitts Knitting Kit please CLICK HERE.

 

Now, let's talk about the SECRET GARDEN APOTHECARY BOX! I'm pretty excited about this! This little box is filled with lovely, handmade, beautifully scented bath and beauty products that we've made for you. The box contains five items, including one 9-oz. jar of salt-and-milk bath soak:

It contains Epsom salt, pink Himalayan salts, Dead Sea salt, milk powder, colloidal oatmeal, coconut milk powder, phthalate-free fragrance oil, rose Kaolin clay, chamomile flowers, rose petals, cornflowers, jasmine flowers, and calendula petals. You add a few tablespoons to a tea bag and dissolve the contents under warm running water, and soak in that tub for as long as they will possibly let you. . . . At least that's how I try to do it. This smells lightly of cucumber and spring garden scents.

Also included is one 5-oz. bar of hand-made cold-process soap.

It is a gentle, lovely soap that contains olive oil; coconut oil; distilled water; sodium hydroxide; castor oil; phthalate-free fragrance oil; blackberry seeds; rose Kaolin clay; purple Brazilian clay; mica; decorated with pink Himalayan salt, jasmine flowers, rose petals, and heather blossoms.

Not every bar looks exactly the same, but they are all pretty similar to these. I am basically obsessed with this soap. It smells amazing — like rhubarb custard! 

Also included is one 1.85-oz. lotion bar (almost as big as our full-size lotion bars, but the mold was a bit shallow). It's got a light, pretty floral scent, and contains beeswax; shea butter; coconut oil; lanolin; essential oils of elemi, chamomile, and ylang ylang; and jasmine absolute. It's so perfect for the season. I've been using mine like crazy.

Also included is one scented wax sachet made of soy wax, beeswax, hyacinth fragrance oil, wax pigments, and dried botanical matter and flowers. It is about 2.5" in diameter, and you can hang it in your closet or in a window to look at every day. I discovered these on Pinterest this past fall. I don't know why I like them so much but I just do. Each one is unique and just so pretty.

And lastly, included is one 2-oz. jar candle made of soy wax and beeswax, scented with honeysuckle fragrance oil and decorated with gem and mineral chips and dried flowers. These are just tiny, special little candles that burn for about fifteen hours and will make your bath or your evening a little more beautiful.

Everything comes labeled and packaged together in a little kraft paper gift box, cushioned with paper shred and closed with seam binding and a pretty wax seal. The Apothecary Box is ready for giving, either to yourself or someone you love. The box costs $68 and will ship toward the end of April, 2019.

To purchase the Secret Garden Apothecary Box please CLICK HERE.

 

We will ship all of these items all over the world this time. But please be aware that the Apothecary Box weighs almost four pounds, and it is expensive to ship overseas. It will ship Priority Mail in the U.S. You will be asked to read our shipping policies before checking out, so please make sure you familiarize yourself with them when you place your order. We will be ordering our labels and the packaging and some of the materials based on how many orders we get for these, so we are planning to ship everything together at the end of April.

Thank you ever so much for your patience and your interest! This is a really big project for me and I am so excited about it. Please let me know if you have any questions and I will respond here! Xoxo, a

(Nest painting licensed from WitsEnd.)

My Secret Garden Inspiration comments: 62

I'm literally aghast at how quickly the days seem to be going right now. I'm not sure why; not sure why they seem to be going so fast and not sure why that leaves me feeling shocked. Amelia's been in kindergarten for almost five months now, and I don't really know why, either, I thought that the days without her in the house would feel longer than the days when she was in half-day preschool. I guess, realistically, I really only have one extra hour before I leave to pick her up each day. We do two extra-curricular activities — ballet once a week and now we will start once-a-week swimming lessons after school today. Swimming is important, and she hasn't taken to the water very naturally. It feels like it's becoming a thing. Her group lessons in the summer aren't really cutting it. She actually regressed between first and second sessions last summer. I've heard good things about these new lessons so, fingers crossed, this is a fun and productive time because the lessons are expensive and also halfway 'round the world. . . .

For the first time in my life, I spend a lot of time in the car. . . .

THANK YOU for the podcast recommendations! Wow??? MANY RECOMMENDATIONS. Also, thank you for the British mysteries+ recs as well. You guys are awesome. Now I just need to find time to go through all of the recommendations and get them downloaded. I am excited. Someone said that the right podcast totally changed their commute. I like that. Also, I can't believe I forgot to mention Agatha Raisin on my list of must-watches. It's our go-to. For some reason, we literally just watch it all the time. It almost doesn't put Andy right to sleep. If you're going to watch it, though, you must try to find the pilot, which for some reason doesn't appear with the first season (this is all on Acorn TV). It's separate, and two hours long. If you watch "Walkers of Dembley" without watching "Quiche of Death" (pilot) you might be really confused. So be sure to search for it. The second season just started. M.C. Beaton (author) has written five thousand books in this series so lets hope this show goes on forever. I love Ashley Jensen. Well, everybody, really. Mathew Horne as Roy is perfect. I've read a ton of the Agatha Raisin books, years ago, actually, and I love the TV series better than the books.

This past fall, as Amelia entered kindergarten and started to show an interest in reading, I started pulling out the books that I had begun to collect for her before she was born. If you've been hanging around here for a while, you might remember this book list that you helped me put together. I remember that when I was working on that list, I bought a few classic books, including The Secret Garden, to start building a library for my future child. It struck me then and still strikes me now that, as much of a voracious reader as I was as a child, I really had very little exposure to what is considered "classic" children's literature. I'd never read The Secret Garden (or Little Women; or The Wind in the Willows; or Anne of Green Gables; or The Lion, The Witch and the Wardrobe, to name just a few . . . ). I bought all of these and more for Amelia back then, in 2010, and I can remember like it was yesterday how I went to Chipotle right after I was at the Barnes and Noble in Lloyd Center, and I was reading this version of The Secret Garden (by Frances Hodgson Burnett) while eating my burrito, and I was about a dozen or so pages in when I thought, "Oh wow, oh no — this is too good." And I shut the book. And as with so much else in my life at that time, I put it in a special place with a pat and a kiss, and decided to wait, so that I could eventually share that experience with my child. . . . For many years, as I waited and worked to become a mother, I would think to myself (and think to myself; I thought this many, many times), "But everything is still ahead of me! All of the firsts are still ahead of me!" And that thought got me through more hard days than I can even now count.

Time was slow, then. Time was painfully, appallingly slow. You were here. You saw that. I busied myself with sewing, and knitting, and kitting out the house, feathering a nest for not months but the years (I just counted them the other day, and it was eight) it took before we had the privilege of becoming parents. And then, once that miracle arrived, and baby came home, and that adoption was finalized, time sped up like you wouldn't believe. Suddenly you're out of breath. It's like the opposite of hurry-up-and-wait — it's wait . . . wait . . . wait . . . and then holy crow hurry up, because baby is crawling, then walking, then talking, then going to preschool, and then her teeth are dropping out of her mouth right and left, and she's reading. . . . And all of that took mere moments. Moments. Entire years of early childhood that have felt like just a few beautiful, excellent, soul-filled, soulful moments. Because suddenly she is six years old. And ready to hear entire paragraphs as you read to her, tucked under your right arm, under the covers in the big bed, nightgowned, teeth-brushed, drowsy, and waiting to begin.

I won't tell you she's quite old enough to hear this whole story, because I don't actually think she is yet. Her attention span is still not quite long enough for long passages of text, or some of the more complicated issues, or some of the more troubling ones. We've read it aloud at night but we've also listened to it a bit on audiobook in the car, and it's pretty clear that I'm generally more into it than she is. But this time, once I started it, I didn't stop. I couldn't put it down. I couldn't turn it off. It is a poignant book, and, though not without its problems (I found this post the other day and thought it was great; and I also must say that I was frustrated that — SPOILER ALERT! — 1) Martha, who is such a brilliant character, pretty much disappears from the second half of the book, and 2) that the book ends on Colin, who I, personally, found much less compelling than Mary, and I truly felt like it was she who had earned the ending far more than he did — but she, too, kind of disappears before the end), it cuts to the heart of loneliness, loss, neglect, friendship, healing, and growth, both metaphorically and literally. I believed in the power of the garden, of planting seeds, of waiting and watering, and I still believe now, even more.

Sometimes I wish that I had read just this one book back then, in 2010. I think I could've made an exception for this particular one, back then.

The other wonderful thing about this book is just the gorgeous, evocative imagery: the purple heather-covered moors; a big Gothic manor with weird sounds wuthering through the halls; wintergreen and walled gardens; a lonely little girl skipping rope in a hundred circles; tiny plants poking their ways through dead leaves and detritus as they've been doing for many an unwitnessed year. The scene near the beginning when Mary, talking to Ben Weatherstaff the crusty old gardener, befriends the robin was the first in the book that moved me so much. Ben had just finished telling Mary that she and he were "wove out th' same cloth. We're neither of us good-lookin' an' we're both of us as sour as we look. . . ." Suddenly, the robin landed a few feet away in an apple tree:

    "He's made up his mind to make friends with thee," replied Ben. "Dang me if he hasn't took a fancy to thee."
    "To me?" said Mary, and she moved towards the little tree softly and looked up.
    "Would you make friends with me?" she said to the robin, just as if she were speaking to a person. "Would you?" And she did not say it either in her hard little voice or in her imperious Indian voice, but in a ton so soft and eager and coaxing that Ben Weatherstaff was as surprised as she had been when she heard him whistle.
    "Why," he cried out, "tha' said that as nice an' human as if tha' was a real child instead of a sharp old woman. Tha' said it almost like Dickon talks to his wild things on th' moor."
    "Do you know Dickon?" Mary asked, turning round rather in a hurry.
    "Everybody knows him. Dickon's wandering about everywhere. Th' very blackberries an' heather-bells knows him. I warrant th' foxes shows him where their cubs lies an' th' skylarks doesn't hide their nests from him."

For some reason that forlorn, unwanted child, and that sweet robin, and that earthling boy, and the phrase "blackberries an' heather-bells" sort of unlocked this massive whoosh of ideas for me recently. I started designing my most recent craft projects and apothecaries around them. The collection of photos and illustrations above has fed my imagination while I have been working.

"Circumstances, however, were very kind to her, though she was not at all aware of it. They began to push her about for her own good. When her mind gradually filled itself with robins, moorland cottages crowded with children, with queer, crabbed old gardeners and common little Yorkshire housemaids, with springtime and with secret gardens coming alive day by day, and also with a moor boy and his 'creatures', there was no room left for the disagreeable thoughts . . ."

Like Mary, my thoughts this winter have been filled with these things of Misselthwaite, and I hope you might find inspiration in them, too. (If you haven't read the book, or haven't read it in a while, I can't recommend the Inga Moore version enough.) I will probably start taking pre-orders for my two Secret Garden craft kits (one knitting, one embroidery [not cross stitch]) as well as the bath boxes we are working on sometime next week or so. I'm almost done taking photos of the items I am going to include, and I will tell you all about them then. It's been so much fun doing this, and I can't wait to share all the things we've made.

Boy, this really took me a long time to write, sorry! Phew!

Photos and illustrations, from top to bottom: 1. By Molly Brett 2. By Johanna Basford 3. By Flavia Sorrentino 4. Yorkshire Dales by Mike Williams 5. By Emma Lazauski 6. Unknown illustrator, from art.com 7. Vintage postcard from 1908 8. Thwaite, England, by Dave Dunford (and, curiously, Thwaite is about ten miles from the towns [Reeth,Grinton, and Marrick] that my ancestors-I-never-knew-about-until-last-year are from — so trippy!) 9. By Inga Moore 10. Vintage china pattern 11. Frances Hodgson Burnett 12. Still from The Secret Garden movie, 1993 13. By Julian deNarvaez 14. By Johanna Basford 15. By Russell Barnett 16. By Giovanni Manna 17. By Rachael Saunders 18. Vintage botanical print 19. Yorkshire Dales by A. Leighton 20. By Inga Moore 21. Tasha Tudor 22. Biodiversity Library 23. Unknown 24. By Aliki Kermitsi 25. Gathering Blackberries by William Stewart MacGeorge 26. Blackberry by Margaret Tarrant 27. By Leo Paul Robert, from Les Oiseaux dans la Nature 28. Vintage botanical illustration 29. Still from The Secret Garden movie, 1993.

Posie Winter Patterns from the Archive comments: 23

I thought I'd put together a round-up of all of my past patterns that you might want to make this winter. It's sort of trippy to look back at all of these! All of them started off as kits, but the kits (except for a couple, which are noted) are all long-since sold out. PDF patterns are available for every one of these patterns, and they are linked to through the photos and the text. People do ask if we will ever "get more" of the kits for these older patterns, and unfortunately the answer is, at this point anyway, no. We (and by "we" I mean me, and Andy, and a trusty assistant that is working for us at the time) actually put every single one of our kits together ourselves, by hand. It works for us to produce kits when a design is launched because there is a lot of interest and we have the numbers that make it possible for us to pay for all the stuff that goes into every kit, including the labor and the assembly. Once I get on to other things, I'm also usually too busy to go backwards and remake kits. As it is, I have a half-dozen ideas I'm wanting to pursue right now, and I only have so much (and it's not much) mental bandwidth available to keep things happening. . . . But I'll talk a little bit here about places I know where you can get supplies to make these things, and hopefully that will help you find what you need.

So, first off, at this time of year, I think everyone is thinking about making ornaments. I designed six collections of embroidered felt ornaments, one each year starting in 2008 with the last one coming out in 2013. I truly loved making these. All of them are made from wool-blend felt from National Nonwovens. I love this felt. Single sheets of it are available on-line at CommonwealthFelt.com. I know a lot of people sell National Nonwovens felt on Etsy, too. All of my ornaments were made with DMC floss, which is available at any craft store. I have a list of all of the felt colors and floss colors I used available here. These are not specifically sourced in the individual patterns, so you will need to consult this list if you want to get the exact same colors I did. Otherwise you can use any kind of felt you want as long as long as it is not too soft. I don't like working with very soft felt, personally. You also need to make sure that all those stitches don't just rip your felt to shreds. So get some lovely, sturdy felt and go for it.

(I guess I still have some of the old labels on these photos. Ooops. Must change that.) Anyway, above is Ice Skating Afternoon.

Then there's Walk in the Woods.

Here is Snow Day. You'll need cross-stitch waste canvas for the mitten, which is this stuff.

Then there was Sweet Home. And we still have kits available for this one.

My personal favorite, Winter Cabin.

And lastly, Night Before Christmas, with little Mimi with her dark hair! (Remember when her hair was dark like that? I seriously can't even deal with how adorable she was.)

Okay. If you prefer to cross stitch, I'VE GOT YOU. If you need cross stitch supplies, try 123stitch.com. They usually have everything I need.

Oh, Winterwoods ABCs. I still love this one. I designed it after we went to that cabin.

Love and Joy was for Christmas 2016. You could easily change that 6 to an 8. This one is the first that fits easily into an 8" x 10" ready-made frame, which is nice.

And then First Snow. This was the first of my seasonal series from 2017-18. Also fits in an 8" x 10" frame.

If you would like to make some softies for good little girls and boys, these do not take as long as you'd think. All patterns for all animals and clothing can be found here.

A few people have written and asked whether I am still working on the girl dolls I started earlier this spring that are based on these animal bodies. And YES, I am planning to produce those patterns and kits for the dolls and LOTS of their clothing. That is on my list for 2019, after I finish Secret Garden. That doll project is bonkers -- probably the biggest one I've ever done, and I got kind of overwhelmed by it and all of my ideas for it. But it is still happening.

Since Santa Lucia Day is coming up on December 13, you still have time to make a A Flow'ret Bright crown (and it's free!)

Lastly, if you just want to stay cozy and snuggle, try the Calicozy Quilt. We have two of them, one for me and one for Meems, and we both still use ours every single day. I'm making her a new one for Christmas for her new (well, my childhood) Jenny Lind bed (I wound up ordering bed rails and boxspring, but they haven't arrived yet).

Hopefully I got all of those links correct. If you have any questions, let me know and I'll answer them here. Thank you!!! XO

***Also, we will have a new winter lotion bar available next week if the tins I have ordered are correct. Stay tuned for that — I'll post it on Tuesday morning along with a couple of advent calendar reveals! Very excited.

Wrapping It Up comments: 37

Well, hello there! How are you? I finally have a morning to write. This is our long day, with ballet at the end of it, and it is just plain looooooong. Ballet doesn't end until 5:00 p.m. For us, that's very late to be out of the house. We're getting used to being out when it's dark. It's suddenly dark, and cold. November! It's here.

Thank you beyond words for all of your orders for the advent calendar. I'm so grateful for your interest and your support. We are almost done wrapping every single thing and are planning to ship at the beginning of next week. It's very exciting to finally be at this point and I'm so anxious to finally start sharing the goodies here. I'm already working on my next project, which will be inspired by the book The Secret Garden by Frances Hodgson Burnett. This is such a beloved book. The version illustrated by Inga Moore is just so extraordinary. Andy, Amelia, and I have been listening to the audio version read by Finola Hughes, and I seriously can't recommend it enough. She does an amazing job. And I am one of those weird people who really just can't get into audiobooks. But this one is totally on point. I love it.

I drew a new embroidery design inspired by the story, and worked it over the weekend, and I just loved doing it. Almost the entire thing is done in a single ply of DMC floss. It was such a cool experience to watch Mr. Robin come to life stitch by stitch by stitch. I didn't think I could do something so naturalistic but it sort of happened like magic. It's honestly easy! You just do it! This design will be available as a kit that is part of another treat box later this spring. (It will also be available as a stand-alone kit.) I'm also planning to do a yarn/knitting version of the treat box, and I'm working on that now, too. Stay tuned. We will make a lot more of these, hopefully one for everyone who would want one. It will be smaller than the advent calendar and the items in it will not be wrapped — the wrapping of every single item in the advent calendar was absolutely bonkers, and I'm afraid that was a one-time-only experience for this crew! I literally lost track of the number of hours we spent wrapping. So this will free us up just to make more boxes. I have so many ideas. It's gonna be really fun.

I took a soap-making class at OMSI (Oregon Museum of Science and Industry) over the weekend and it was really fun. Those pink moons are my first-ever bars of cold-process soap! They are made with olive oil, coconut oil, castor oil, lye, almond cybilla fragrance oil, ground oatmeal, and madder root. They won't be ready for another five weeks or so. Andy and I went to the bookstore on Monday while Mimi was at her grandma's and I got a couple of soap-making books and now I'm so anxious to make so much more. I started following a bunch of soap-makers on Instagram and have been watching soap-making videos on YouTube and ohhhhhhh dear, here we go. Andy knows the signs of an obsession coming on. He says he sees one coming. I have many, so I hardly notice anymore. I've been so excited by the new things I've learned this year. This is exactly what wintertime is for.

I also started a micro granny-stitch crocheted blanket inspired by this lovely one by Deb. I, too, used Lucy's tutorial for the stitch (I chained 302 to start) and this video for the magic knot method for changing colors. I've never used magic knot before and it's pretty wonderful. You do end up with little knots on the edges but they're so small I don't care. I planning to give this to Amelia. I'm using all fingering-weight mostly hand-dyed yarns, both my own and those that I just have. My mom gave me the headboard and footboard from my childhood Jenny Lind bed. We don't have the side rails (or, for that matter, a box spring). But I think I want to try to find some of those second-hand (if they fit — are they standardized? I need the kind that hook in) and set this bed up for Amelia. Her Ikea toddler bed extends all the way to a regular twin size but it's so damn low that it's really hard to make and I seriously don't think I have ever approached that bed without stubbing my toe on that middle leg and practically fallen into the bed. I've literally kicked that thing probably a thousand times. It makes me insane. Anyway, she's six years old now and she's ready for a taller bed, and I loved this Jenny Lind when I was little. She's just starting to want to hang out in her bed before sleeping and after waking up. She has a clipboard with paper on it that she carries all over the house now and she is constantly drawing. She sits up with her little light on and draws almost every night before she falls asleep. This is just amazing to me. I don't know why. When kids just start doing stuff like this, stuff that they just decide to do with no prompting, no suggestion, no encouragement, etc., it is so exciting. It's just all them, becoming themselves. I love it. I love her.

***Oh! By the way — several people have mentioned to me that they were having trouble with my blog lately, and I was too. I opened a help ticket with Typepad and they wrote back and said that last month they "upgraded to support HTTPS — something which had been requested by many Typepad bloggers for months. Some of our more veteran bloggers like you may have links that use http instead of https in older content and so these will need to be updated to use the secure URL now that it is available." So, it turned out that the links in my template did need to be updated. I was able to figure that out and fix them, and it seems to be working fine now, but do let me know if you have any more problems and I will look into it!

****Actually, I don't know that it's fixed. It looks like all of the old photos are still calling up the http prefix. More to come on this — I've opened another ticket. UPDATE: Looks like Typepad was making further changes yesterday that were causing my old photos problems, but I'm told they've discarded those changes and are still working on a future solution. So, we'll stay tuned and I'll keep you posted. Thank you! XO, a

Halloweentime comments: 31

Ahhhh, tomorrow is Halloween. It's never been my favorite holiday. I'm really not sure why. This year we put some orange lights on our fence and some fake cobweb stuff and now I like it a bit better. The yard looks cute and delightfully seasonal, I must say. My garden is one of those that is filled with grasses and meadow-type plants, and they look beautiful now. I love the season, I've just never been that into Halloween, even as a kid. The only costume I can really remember wearing is a giant footie sleeper — I was a "baby." I wore my hair in two high ponytails and carried a stuffed animal and sucked my thumb. In, like, fifth grade. Uninspired. I remember that I just wanted to be warm and comfortable and I didn't want to wear my coat. It was always such a bummer when it was cold or raining on Halloween and you had to wear a coat over your costume. I also remember one time, also when I was a kid, that I wanted to have a Halloween party in our basement because a character in a book I was reading had a Halloween party in her basement. Our basement wasn't finished. It was like a cellar. I colored about twenty pumpkins with colored pencils on notebook paper and cut them out and hung them around the basement. It looked pathetic. I don't know why I wanted to do this — it was not a good basement for a party. I think I stuck a notebook-paper pumpkin on the washing machine. It was there for the next twenty years. The party was a total bust. It kinda makes me sad for little me. I couldn't wait for it to be over. Amelia is obsessed with candy, so she can't wait for tomorrow. She never gets that much but even ten pieces of candy to her is like winning the lottery. She's really in it entirely for the candy. She went to a party this past weekend at a school friend's house and took her owl mask (she's an "owl princess," by the way) and wings off within five minutes of getting there. I asked her if she wanted more elastic for her upper arm, or another solution to those wings (not sure what it would be, but I could come up with something, I bet) and she said no, thank you, byyyyyyyyyyye. So we'll see. There's something to be said for the costume that's as wearable as possible. I'm not sure this is it. . . . But it sure was fun to make. (I used this pattern for the mask and this tutorial for the wings).

We went to the pumpkin patch with our dear friends the Montgomerys, with whom we've gone to the pumpkin patch every year since our kids were babies. I love these kiddos together so much, romping and falling and running and riding. Pure joy. They're getting big now. The weather this fall has been unbelievably gorgeous, mostly dry and crisp and golden. The rains came in suddenly on Saturday afternoon; Amelia and I were out in the country then, and we got dumped on. On Sunday afternoon, thunder rumbled across the sky from one edge to the other. Andy laid on the sidewalk and listened to it. The sky on the west side was steel gray; to the east, the bright-white sun was poking through holes in the clouds. Thunder . . . thunder . . . and swishing of yellow leaves on the trees. Soon, everything will have fallen, and it will just be cold rain. I'll like that, too, as I do, but I can see why people feel anxious about November. It's very gray and very dark. I honestly don't know how Portlanders who don't knit or crochet make it through the winter!!!

Here, we are allllllmost done with the yarn advent calendar. Now that Halloween is almost here, I feel like I can move forward with this. I know I haven't said that much about it, at least not in proportion to how thoroughly it has taken over this house and my life. All our lives, here. I'm going to put together a post about it and let you know the sale date and times (I think I'll offer it in two batches that day, at two different time — there are only fifty calendars available) early next week. I don't know how much to say about it, because I really, truly want it to be a surprise. That's been so much of the fun of it. I'll dish on the yarn details, but not the other stuff, I don't think. I'm doing so many things for it that I've never done before, and I have honestly loved every minute of getting all of it ready. That said, I'm also ready to be done with it, and send it all off into the world. It's almost time. We have thirty more skeins of yarn to wind and fifty more _______s to make and a whooooole lot of wrapping and tagging and assembling and boxing to do, and then we're done. . . . Yay!

Leaves by Hundreds Kit Errata Alert! (And the PDF is ready.) comments: 6

Halllllloooo, dear friends! Autumn is here in earnest around these parts. I'm in my little office today, playing catch-up and bashing away at my to-do list. Yarn is literally hanging and drying (or, not drying, as it's freezing in here, and I kind of forgot how loooooong it takes yarn to dry when it's chilly) all over the place. Kady and I dyed thirty skeins of yarn yesterday and it all came out exactly how I wanted it to, which was nice, for once.

* * * ERRATA ALERT! * * *

What didn't come out as I wanted it to was page 5 of the Leaves by Hundreds Came pattern that got printed and went in all of the kits that have been mailed out. A very kind customer (Andrea! Thank you!) alerted me this weekend that the bottom half of the chart (page 5) is smaller than the top half of the chart (page 4).  Each chart on its own is accurate, but if you try to tape them together, as instructed, they will not match up. Somehow I scaled page 5 slightly smaller than page 4. I cannot for the life of me figure out how I did this between the time I printed and proofed this and then sent it to the printer. But I messed something up on my end, and I'm really sorry about that.

We are reprinting 100 copies and are going to re-stuff the kits that have not yet been sold. But there are about 400 kits out there already — we literally finished shipping every single thing in our queue last Thursday, so I can't get those back. :( SO if you are one of those people who has received your kit and you would like a properly scaled page 5, please email me at posie@aliciapaulson.com and let me know, and I'll send you a corrected page 5 as a PDF. If you are someone who DOESN'T tape your chart together, then this won't affect you at all. But if you would like a new page 5 that you can print at home, please let me know and I will help ASAP. Be sure to print it at 100% with no scaling, no "fit to page," or any other changes.

That said, the PDF version of The Leaves by Hundreds Came is now up and running and you can purchase it HERE.

More from me soon. Various fires to tamp down here but I belieeeeeeeeve I will get caught up someday!

Sweater Weather! comments: 35

Good day! Hello! How are you? Hellooooooooo! It's me. I've been bonkers busy and I'm so happy I finally have time to sit and write. Hello! [I'm waving.]

* * * T H A N K   Y O U   S O o o o o o   M U C H * * *

lovely, lovely people for all of your orders over the past couple of weeks. I'm so excited about the new kits and lotion bars and it's always just so nice to get your feedback after scurrying away behind the scenes for so long. Things are coming together and it feels great! Kady (new assistant) is sitting across the room writing postcards to go into orders in the next weeks, and yesterday she packed up our little business card packages, and Andy is about halfway done pulling floss. Next he'll start cutting fabric. Kelsey has an infant so she's at home in her kitchen making hundreds of lotion bars for me. Amy's darling daughters are wrapping and date-stamping mini-skeins for the advent calendar at their house. Kady and I dyed thirty new skeins of yarn on Monday, and those will be mini-skeins for the advent calendars soon. It's truly like a hive of activity around here, and I like it. It feels as if we are squirrels ourselves, industriously preparing for first frost. School has been awesome. At home, there are new railings on the front stairs and new scents being tested in the kitchen. Yarn is being wound, and there is lots of knitting, and I'm teaching myself to make candles. Amelia has been drawing and writing and creating little books constantly. Andy's been cooking for us and there have been park visits and neighborhood adventures. We're getting ready for his parents to visit, and for Amelia's big family birthday party in a few weeks. Everyone is excited! I'm doing that embroidery (from this pattern from Florals and Floss) on a bodice for Amelia's birthday dress that I need to finish. It's go-time.

Pictured above is the Sorbet Mini sweater I'm knitting for Amelia. The kid's pattern is only in Danish, so I'm using the English version of the adult pattern (which I made for myself but apparently haven't photographed yet; I will do that) and plugging the kid's numbers in. She saw my sweater and wanted a mini version, so I had to cast on immediately, as you will when your child shows even the slightest interest in your knitting. I have so many things I need to get up on Ravelry that I haven't yet, so don't bother looking for this from me there. But I will do that soon. I have a basket full of WIPs, it's crazy. All I want to do is knit. I splurged on some yarn from Churchmouse Yarns (along with a candle and a bar of soap) and I'm planning to make Amelia a Volo sweater with that after seeing Kyrie's on Instagram the other day. (That picture just literally destroys me. It is so gorgeous.)

Amelia was home with the sniffles yesterday so we made applesauce muffins, which is one of my mom's recipes from my childhood. They are so delightful.

Applesauce Muffins

2 cups Bisquik*
1/4 cup sugar
1 teaspoon cinnamon
1 cup applesauce
1 slightly beaten egg
2 tablespoons vegetable oil

*If you don't have Bisquik (I don't have it but my mother always did, and this is her recipe) you can use 2 cups of all-purpose flour plus 3 teaspoons baking powder and then add in 2 tablespoons of melted butter, as well.

Mix ingredients together until just combined. Fill 12 muffin tins 3/4 full. Bake 12 minutes at 400 degrees F. Let cool a bit then dip top in melted butter and then in cinnamon sugar.

And here is the recipe for applesauce that Andy always makes for us and it is wonderful. I know it seems odd to use the microwave but this applesauce has a really fresh taste that is so much nicer than cooked applesauce on the stove top, in my opinion:

Applesauce
from the New Basics Cookbook by Julee Rosso and Sheila Lukins

2 McIntosh apples
2 Granny Smith or other tart apples
1 cup water
Juice of 1/2 lemon
1/2 cup sugar
1/2 teaspoon ground cinnamon

Halve and core the apples: peel them if you like. Cut each one into 6 wedges or 1-inch chunks. Combine the apples, water, and lemon juice in a deep microwave-safe 2 1/2-quart casserole. Toss the sugar and cinnamon together in a small bowl and add to apple mixture. Cook, uncovered for 5 minutes. Stir, pressing apples into liquid and return to microwave. Cook for another 5 minutes. Using a hand blender, mix apples into applesauce.

Would you also like to make carnitas? We used this recipe from The New York Times and it was absolutely scrumptious.

Pictured above is the rainy afternoon bath I was taking last weekend. I was in the happiest spot — perfect water temperature, vanilla bubble bath, bath pillow that my dear mother-in-law gave me for my birthday, reading Little Women — right before Andy almost cut the tip of his thumb off (thank you for saving it, fingernail) and Amelia went outside to talk to some people (?!?!?) and the dog started barking her head off and running down the front steps to the sidewalk (never, ever does she do this, but naturally she picked that time to do it, and it turns out she was talking to/barking at a fellow neighborhood Cardigan corgi named Mulberry). Andy howling, then wandering out with a bloody dishtowel on his thumb and his face white as a sheet and not explaining anything, Clover losing her mind, Amelia talking to strangers. It was full-on Donnybrook. Naturally, by the time I had hauled myself out of the tub and dried off and put my clothes on the situation came back under Mr. Paulson's control (he's okay, and Clover came back up the stairs, nonchalant, as if nothing had ever happened). I should've gotten back in the water but I didn't. Nevertheless, that tub and that book and I are going to need to reschedule. I want to make my own soap and bubble bath, too. I got one of those things that covers the drain on the tub and lets the water get really, really high and it is literally life-changing.

Oh, and also thank you so much for all of the kind words and inquiries about Amelia's portrait from a few weeks ago. I painted it myself. It was a total fluke, I literally don't know how I did it, and I'm pretty convinced it was magic, so naturally I haven't tried to paint or even thought any more about it since.

***The cowl is an advent calendar sneak peek . . . :))) More on this soon!

The Leaves by Hundreds Came Now Available for Pre-Order comments: 29

THE LEAVES BY HUNDREDS CAME Cross Stitch Sampler Kit is now available for pre-order. Please CLICK HERE to order.

So, it's really fall. It's still kind of sinking in. Amelia's first week of school went blissfully, thrillingly by in a flurry of new shoes and new routines, long drives and books on tape (thank you for the recommendations). It's been nothing short of extraordinary, for all of us. She seems to have, literally, matured before our very eyes, all in the span of a week. I wouldn't have believed it if I hadn't seen it myself. I went from having zero time to myself during daylight hours to having six entire child-free hours a day, and I'm still getting used to that, and now am missing her profoundly. In a good way, but still. These milestones. I mean, everyone says this will happen and then it does. I remember this so well four years ago when she first started going to a lady-in-the-neighborhood's house for two mornings a week with three other little kids. Leading up to it I was really excited to just have a few hours of time to myself, and then a couple of days before it was time for "school" to start I totally lost my nerve and got profoundly nostalgic/sad/happy-in-a-sad-way/generally emotional about everything and nothing at all. It was like my body, unleashed from its constant, real-time diligence, sort of blobbed out and puddled in the road. I feel like that today, heightened, perhaps, by the morning's golden light, and cool breeze, and suddenly red leaves. I don't know. Her tap shoes came in the mail yesterday when we got home from school and she hastily pulled them on, and had me tie the bows. Immediately afterward her grandma drove up, bringing with her two big pieces of big bubble wrap, and Amelia's glee as she tap-popped every cell in her new black-patent shoes and her turquoise tights almost brought me to tears. Fall. I get choked up. She loves everything so much. And I love her.

Here is The Leaves by Hundreds Came, a piece I stitched earlier this summer in anticipation of just this lovely, fleeting season. Autumn is the shortest and most precious season we have here in the Pacific Northwest, at least in my opinion. It starts off warm and bright, gets cool and crisp by October, and sometime in November, once the rains and wind have whipped the trees bare, it is quickly over. The title is taken from a line from a George Cooper poem:

October's Party

October gave a party;
The leaves by hundreds came —
The Chestnuts, Oaks, and Maples,
And leaves of every name.
The Sunshine spread a carpet,
And everything was grand,
Miss Weather led the dancing,
Professor Wind the band.

The Chestnuts came in yellow,
The Oaks in crimson dressed;
The lovely Misses Maple
In scarlet looked their best;
All balanced to their partners,
And gaily fluttered by;
The sight was like a rainbow
New fallen from the sky.

Then, in the rustic hollow,
At hide-and-seek they played,
The party closed at sundown,
And everybody stayed.
Professor Wind played louder;
They flew along the ground;
And then the party ended
In jolly "hands around."

Vital Statistics:

Finished Size of Design Area: 6.25"w x 8.5"h (16cm x 22cm); 100 stitches wide x 138 high on 32-count fabric

The kit contains:

One 14" x 16" (36cm x 41cm) piece of 32-count evenweave embroidery linen in Milk Chocolate (color 95) from Wichelt
(46) 24" (61cm) lengths of various colors of DMC 6-ply cotton embroidery floss
Stitching instructions
Full-color cross-stitch chart with symbols over color blocks
One piece of chipboard for creating a floss organizer

You will need your own:

#24 tapestry needle(s) for cross stitch
Embroidery scissors
4" (10cm) embroidery hoop
Frame and framing supplies

If you are new to counted cross stitch, or need a refresher on the basics, please see my "how to do counted cross stitch" tutorial here.

This kit is designed to fit in a ready-made 8" x 10" frame. All you need to do is make sure the frame is deep enough to fit a piece of foam core (and glass, if you want to use glass. I never use glass. I don't like it. I have my embroidered pieces hanging all over the house, and I don't feel that they suffer appreciably for being exposed). What you will do is wrap you embroidery around a piece of foam core, and stretch it with the help of about a million sequin (about 1/2" long) straight pins. You can read my tutorial about how I've done that in the past (though I finished the rest of the framing with custom frames at a frame shop). But with an 8" x 10" piece you can even buy the pre-cut foam-core at the craft store (JoAnn's or Michael's, or easily online) for just a couple of dollars. A frame store can also cut foam core for you for just a few dollars if you ask nicely.

This kit will be shipping sometime around the middle of October. We have the fabric and floss on hand right now and I just have to send the pattern off to the printer this week. We will assemble and ship as soon as possible, if we can manage it sooner than mid-October, and I'll keep you posted on our progress here.

The pattern-only option will also be available separately as a downloadable PDF, but not until sometime in the next couple of weeks. I'll post here when that is ready, too.

This kit is done with two plies of DMC cotton embroidery floss on 32-count linen. That means it has sixteen stitches per inch. If you are interested in waiting for the PDF because you're worried the 32-count linen is too small, I think you'll want to read this post about cross stitch that I wrote a couple of months ago. It will help you determine what supplies you need to purchase, particularly fabric.

And, as always, I carry my favorite embroidery supplies in my web shop, should you need lovely, high quality tools. These are the exact ones that I use every day.

I also have put together a new lotion bar for fall, and it is delighting me enormously. Here is Autumn Woods:

As I mentioned when I first launched lotion bars this summer, when I started dyeing yarn earlier this spring my hands started to get really dry from all of the washing and rinsing of yarn I needed to do. I got interested in making lotion bars with my own customized essential oil blends. Lotion bars are great because they have no water in them, so they last for ages and a little goes a long way. I've been really pleased with how they well they work and they smell absolutely amazing! Autumn Woods is made with beeswax from local bees; coconut oil; unrefined shea butter; lanolin; and essential oils of cedarwood, fir, balsam Peru, and a drop of cinnamon. It's such a nice, light, earthy, spicy smell. I totally love it. By the way, thank you to all of you who provided feedback on the first round of lotion bars. Everyone was so nice and happy with them that it made me feel so great. I'm so glad you like these, and, in addition to this new one, I'll also have a new one coming for winter, as well (probably sometime in November). These don't sell out; as I develop new scents and source new molds all of them will be available indefinitely in my shop, so keep them in mind as stocking stuffers as we get closer to Christmas, because they make perfect little gifts. We'll make as many as we can sell.

To use, just hold the lotion bar in your hands for several seconds until it starts to melt a bit, then rub lotion into skin and cuticles, or anywhere you need some TLC. It also works great on feet, elbows, and knees. 

All bars come in a reusable tin, as pictured. Please note: Lotion bars are solid at room temperature but can start to soften in very hot weather while in transit. Your bar will be packed in its tin with absorbent paper, but shipping it at this time of year may result in the design appearing a bit soft by the time it reaches you. This won't affect its qualities. Many people did say that they received their summer lotion bars in very hot weather and they looked absolutely none the worse for wear, so I feel pretty confident that yours will look great. But I did want to mention it just in case.

We do ship overseas! To place your order, you will be required to read this information, which contains details about international shipping and customs fees you may incur when ordering outside the U.S. (If you are overseas, the shipping cost charged by Posie does not include any further charges you may incur when importing goods.) To see the shipping-only costs for your order and location, just place the items in your cart and choose your location (or enter your zip code, if you are in the U.S.) and it will tell you how much the shipping is. As usual, I have a sincere request: Please check on and update your shipping address correctly in your Paypal preferences so that there is no confusion when we go to ship. If you do need to add things to your order or change your address after you've placed the order, just email me. I will cancel your order and you can place a new one with all of the things you need, etc. I used to try to combine orders manually for people and it has just gotten too complicated for me, so I'm going to go back to my original policy of just one order per person if you want everything you order to ship all at the same time. If you place two orders, I will assume that you want me to ship them separately unless I hear otherwise.

Please note that all supplies, and anything else you order at the same time, will be shipped along with your Leaves by Hundreds Came kit and lotion bar. If you need other items before the kits or lotion bars go out, please place a separate order that will ship right away.

Whew. THANK YOU everyone. I am very excited to get into my new routine and have more time to work. I have so many ideas coming up and I'm really looking forward to sharing them with you.

With love and gentle thoughts for this most tender season of change,
Alicia

Summer Storm Cross-Stitch Kit Now Available for Pre-Order comments: 43

The SUMMER STORM Cross Stitch Sampler Kit is now available for pre-order. Please CLICK HERE to order.

All week here in northwest Oregon we've had scorching hot weather and blazing sun broken by the onset of sudden cloud cover, wind, and thunder rumbling long and low across the sky. I have been thrilllllllled with these summer storms. They are exactly like I remember from my childhood in the Midwest, and are what I tried to capture in this little cross-stitch design. In my front garden here at home, today on Midsummer Day, my dahlias and daisies are just starting to bloom. I couldn't be happier to see gray skies and bright clouds. It's my favorite kind of summer weather. I'm weird, I guess.

Summer Storm is the third in a series of seasonal pieces I'm designing. The first, for winter, is called First Snow (a kit is available here; the pattern is here). The second, for spring, is called Time of Flowers, and unfortunately the kit for it is sold out (but the pattern is always available here).  A design for autumn (on the most delicious color I don't even know how to describe — sort of a rosy pale brown) will be forthcoming later this year. 

Vital Statistics:

Finished Size of Design Area: 6.25"w x 8.5"h (16cm x 22cm); 100 stitches wide x 138 high on 32-count fabric

The kit contains:

One 14" x 16" (36cm x 41cm) piece of 32-count evenweave Country French embroidery linen in Rain 258 from Wichelt
(54) 24" (61cm) lengths of various colors of DMC 6-ply cotton embroidery floss
Stitching instructions
Full-color cross-stitch chart with symbols over color blocks
One piece of chipboard for creating a floss organizer

You will need your own:

#24 tapestry needle(s) for cross stitch
Embroidery scissors
4" (10cm) embroidery hoop
Frame and framing supplies

If you are new to counted cross stitch, or need a refresher on the basics, please see my "how to do counted cross stitch" tutorial here.

This kit is designed to fit in a ready-made 8" x 10" frame. All you need to do is make sure the frame is deep enough to fit a piece of foam core (and glass, if you want to use glass. I never use glass. I don't like it. I have my embroidered pieces hanging all over the house, and I don't feel that they suffer appreciably for being exposed). What you will do is wrap you embroidery around a piece of foam core, and stretch it with the help of about a million sequin (about 1/2" long) straight pins. You can read my tutorial about how I've done that in the past (though I finished the rest of the framing with custom frames at a frame shop). But with an 8" x 10" piece you can even buy the pre-cut foam-core at the craft store (JoAnn's or Michael's, or easily online) for just a couple of dollars. A frame store can also cut foam core for you for just a few dollars if you ask nicely.

This kit will be shipping sometime toward the middle of July. I will order the fabric as soon as I get a handle on the number of pre-orders we're getting, but the distributor has a ton on-hand, so we will be able to take as many orders as needed. We will pull floss and assemble patterns and ship as soon as we have everything here.

The pattern-only option will also be available separately as a downloadable PDF, but not until sometime in the next couple of weeks. I'll post here when that is ready, too.

This kit is done with two plies of DMC cotton embroidery floss on 32-count linen. That means it has sixteen stitches per inch. If you are interested in waiting for the PDF because you're worried the 32-count linen is too small, I think you'll want to read this post about cross stitch that I wrote a couple of months ago. It will help you determine what supplies you need to purchase, particularly fabric.

And, as always, I carry my favorite embroidery supplies in my web shop, should you need lovely, high quality tools. These are the exact ones that I use every day.

I also have finished developing my lotion bars, and oh, I love them so. Here is Summer Day:

And here is Forest Flower:

When I started dyeing yarn earlier this spring, my hands started to get really dry from all of the washing and rinsing of yarn I needed to do. I got interested in making lotion bars with my own customized essential oil blends. Lotion bars are great because they have no water in them, so they last for ages and a little goes a long way. I've been so pleased with how they well they work and they smell absolutely amazing! Summer Day is made with beeswax from local bees; coconut oil; unrefined shea butter; lanolin; and essential oils of grapefruit, orange, lemon, tangerine, neroli, and a drop of balsam Peru. It reminds me of sitting on the screen porch on a summer afternoon, eating a Dreamsicle after spending all day at the lake.

Forest Flower is made with beeswax from local bees; coconut oil; unrefined shea butter; lanolin; and essential oils of cedarwood, Ylang Ylang, clary sage, bergamot, sandalwood, and jasmine absolute. I think it smells like a walk in the woods after a spring rain.

To use, just hold the lotion bar in your hands for several seconds until it starts to melt a bit, then rub lotion into skin and cuticles, or anywhere you need some TLC. It also works great on feet, elbows, and knees. 

Doesn't my friend Sahra (not to be confused with my three friends named Sarah) have beautiful hands?

All bars come in a reusable tin, as pictured. Please note: Lotion bars are solid at room temperature but can start to soften in very hot weather while in transit. Your bar will be packed in its tin with absorbent paper, but shipping it at this time of year may result in the design appearing a bit soft by the time it reaches you. This won't affect its qualities. I left my lotion bar packed but upside down on my back deck in 90-degree weather and nothing much happened to the design, honestly, but I did want to mention it in case yours arrives a little less crisp than it looks in these photos. Do let me know how they travel (and, of course, let me know how you like them) — I want to hear it all.

I love the labels that the lovely Greta Gohn of Thrive Design designed for me. She has also designed a new pattern template for my patterns, as well, and it will debut with Summer Storm. I can hardly wait to use it. It's just so pretty and fits so perfectly in with the rest of my branding (yes, I actually said that). We've been working together for a few months to get some new packaging and a blog ad and yarn labels and this new template together, and working with her has been such a great experience. I absolutely love the entire process of doing stuff like this and it's been a while since I've had some pretty new things. I can't wait to send them to you. I'm doing all of the packing and shipping now since Stacey went to grad school and I have really been enjoying that, too. I get emotional seeing everyone's names and addresses. It's weird, but I do.

We do ship overseas! To place your order, you will be required to read this information, which contains details about international shipping and customs fees you may incur when ordering outside the U.S. (If you are overseas, the shipping cost charged by Posie does not include any further charges you may incur when importing goods.) To see the shipping-only costs for your order and location, just place the items in your cart and choose your location (or enter your zip code, if you are in the U.S.) and it will tell you how much the shipping is. As usual, I have a sincere request: Please check on and update your shipping address correctly in your Paypal preferences so that there is no confusion when we go to ship. If you do need to add things to your order or change your address after you've placed the order, just email me and we'll figure it out, no worries! I just like to remind people of this ahead of time, because it's a bit easier.

Please note that all lotion bars and supplies, and anything else you order at the same time, will be shipped along with your Summer Storm kit. If you need other items before Summer Storm goes out, please place a separate order that will ship right away.

Phew! Okay, hopefully I got this all right. I'm sitting in a coffee shop right now and the music is loud so, fingers crossed. I always feel very nervous whenever I launch new things. Thank you so much for watching me develop these things and for being excited about them as I've talked a bit here and there about what I've been doing for the past few months. I have more coming, more yarn and stitch markers and patterns, and I'm just keeping my head down and working away. I'm so grateful for your interest and support and the very real fact that it all allows me to continue to do what I do to help support our family financially and also stay home and take care of Amelia full time. Thank you from the bottom of my heart for that. I honestly can't thank you enough.

With much love and hope for lots of rainy days this summer so that I can talk about more than my ever-present obsession with the weather,
Alicia

Cross Stitch: Some Explanations about Counts and Fabrics comments: 24

Hello, dear friends! I'm knocking things off my list today. I've wound yarn, made stitch markers, taken pictures, and gotten all of the second-batch Time of Flowers kit orders out. Whee!

The PDF-only option for Time of Flowers is also now available and you can purchase it here.

This pattern is a digital download, and will be made available via a link on the screen immediately upon completion of payment. A link will also be sent (automatically and immediately) to the email address you use to order the pattern. Please save all downloads like this directly to your hard-drive in case you need to reprint in the future. As always, if you have any trouble, please let me know!

I'm sorry it has taken me so long to write this little informational post for you. I've been meaning to do it for ages. I get a fair amount of questions about substituting fabrics for my cross stitch patterns, and I'm going to try to break down a few of the options, and make things like stitch counts and fabric counts more clear than they perhaps might be to you right now. I'm going to take a lot of the information in this post from a tutorial that I wrote several years ago that you can always find on aliciapaulson.com; if you haven't read that and you're still finding yourself confused by this, give that a look and then let me know how I can help clarify further.

But, generally:

Counted cross stitch is not worked onto fabric that has been pre-printed. Counted cross stitch uses special fabrics that are called evenweave fabrics. These fabrics are woven so that they have the same number of warp threads (or, the threads running lengthwise through the fabric) and the same number of weft threads (or, the threads running crosswise, from selvedge to selvedge). In counted cross stitch (and from here on out, I'll just call it cross stitch) you work each stitch over the grid of perfect squares made by the warp and weft threads of your fabric.

Cross stitch can be done on different kinds of evenweave fabric, including evenweave linen, some woven ginghams, Aida cloth (which has a very ponounced grid that helps you see the holes into which your stitches go), waste canvas (which is a removable grid you temporarily apply to a piece of non-evenweave fabric that helps you place your stitches), and various other types of fabrics made especially for cross stitching. The fiber content and type of weave of the fabric you choose to use is largely a matter of personal preference. I use linen fabric for my kits (and the samples I've made up for my patterns), but a lot of people ask me if they can substitute Aida cloth. And the answer is: Yes! You can! I'll explain further.

What really matters is the "count" of the fabric. Thread count refers to the number of warp and weft threads per inch in the woven fabric. Stitch count refers to the number of cross stitches per inch you will have in your finished design. Aida cloth, for instance, is labeled according to stitch count; 10-count Aida cloth gives you 10 stitches per inch. Evenweave linen, however, is labeled according to thread count; 28-[thread]-count evenweave linen will give you a stitch count of 14, since cross stitch on this kind of linen is worked over 2 warp threads horizontally, and 2 weft threads vertically.

Look very closely at the photo above and you can see the crossed stitches going over 2 threads in each direction.

To work designs in cross stitch you follow a chart. Each colored box (generally with a symbol in it) on the chart represents one set of crossed stitches. Each set of crossed stitches is relative to the other stitches in the design, so you're only ever "counting" a few stitches away from the last stitch you just made. Each color on the chart represents a specific color of six-strand embroidery floss. A color key helps you define each color of floss.

(If the chart is too small for you to see comfortably, just enlarge it on a color copier. A good full-spectrum lamp is a must in dim light. I use this particular Ott light and I love it. When I'm not using it I fold it up and drop it down behind my side table and I never have to look at it. I used to have a big, huge gooseneck Ott light and I much prefer this tiny one; for what I'm doing, it works just as well, and in a small house is a better fit.)

"Count" is very important when choosing fabrics for cross stitching because the number of stitches per inch can drastically change the look of a design. In general, fabric with a lower stitch count will produce a coarser looking design, where the crosses will be larger and more pronounced. Fabric with a higher stitch count will produce designs that are smaller and finer. For the purposes of this post, I'm going to show you some different samples done on two different kinds of fabrics (Aida and linen) with different counts. So let's look at the first one:

This one, as indicated, is stitched on 8-count Aida fabric. Aida fabric is a good choice if you are a beginner to counted cross-stitch, or if you've struggled with evenweave fabrics in the past. If you look closely, you can see that the stitches are made directly into four little holes in each of the corners of a "square" space. Each square space equals one square on your chart. The holes are very pronounced and much easier to see than they are on linen.

Linen normally doesn't come in a stitch count this big (or, in other words, in a number this small — remember, stitch count number refers to stitches per inch; the lower the number, the fewer stitches per inch. The fewer stitches the stitches per inch, the bigger those stitches have to be). Eight stitches per inch is really quite big, but I wanted to use it to show you exactly how the same design translates into different sizes using different count fabrics. Here's the same design on 14-count Aida fabric:

Notice that the size of the scissors is fairly consistent here, but that the teacup is significantly smaller. Same design + different stitch count = different size finished piece. To see the same design on 28-thread-count linen (which, if you remember, is done over 2 threads, and so is actually 14 stitches per inch), regard this one:

See how those last two, even though they are on different kinds of fabric, are the same size? That's because they both have the same stitch count at 14 stitches per inch.

My seasonal series (both First Snow and Time of Flowers, and the upcoming designs for summer and fall) are all done on 32-count Belfast linen, which has a stitch count of 16 stitches per inches. Compare this to previous samples:

A bit smaller than the 14-counts.

A word about embroidery floss: All of the designs that I write patterns for that are worked on 28- or 32-count fabrics use 2 plies of floss per stitch. To separate plies, you simply take your length of floss by the middle and gently work the 2 plies away from the original 6. Some people even separate the 2 plies away from each other to sort of plump up the thread, but I don't. I don't like the way it looks. That's just personal preference, so do whatever works for you.

Now, here's something important to remember: Let's say that you want to stitch Time of Flowers but you don't want to do it on the fabric that I've used. That is perfectly fine, but let's look at something real quick. Please notice this line on the front cover of the pattern (and all patterns should have a line that reads very much like this on them):

Finished size of design area: 6"w x 8.5"h (15cm x 22cm); 101 stitches wide x 136 high on 32-count fabric

This means that, when finished, the width of the stitched area will be 6 inches, the height of the stitched area will be 8.5 inches on 32-count fabric. If you decide to use a different count fabric, you will need to recalculate the finished size of the design area. To do that, work backwards. Take the number of stitches the design is wide (101) and divide it by the stitch count of your fabric — let's just say you're going to use 8-count Aida.

101 stitches divided by 8 stitches per inch = 12.625 inches wide
AND
136 stitches (width) divided by 8 stitches per inch = 17 stitches high

Seeeeee how much bigger that difference translates to, in terms of the overall design? You're going from a 6" x 8.5" design that will fit into an 8" x 10" frame to an almost 13" x 17" design, not including ANY margins around the design area. That's a pretty big difference, so you just need to pay attention to that count. You can do any design on any fabric you'd like, but do make sure that you know how big the finished design area will be.

When you're purchasing fabric, you always want to make sure that you've got about 3" of extra fabric around each side of the design area. This allows you to easily mount your fabric in the hoop while you're working and also gives you enough space around your design area to stretch the fabric when you frame.

There are lots of places to purchase cross stitch supplies on-line. I know that Aida actually makes a 16-count fabric in Sea Lily (the color of linen I used for Time of Flowers) that can be purchased here. If you're local, I highly recommend you go out to Acorns and Threads sometime and visit Jeannine and the ladies there. This is such a gorgeous store with some of the best customer service you will receive anywhere, for anything. This store is a true local treasure, and it will inspire you more than I can say.

Did I miss anything? Please feel free to ask about anything that's unclear! Let me know!