Posts filed in: Shop Talk

Dovegray Doll Kits (and Supplies to Make Them) Now Available for Pre-Order!

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Allow me to introduce the Dovegray Dolls, whose kits are now available for pre-ordering!

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These little dolls are entirely stitched by hand and made of wool-blend felt with wool or mohair-wool yarn hair (fiber content depends on which color you choose). They wear a (machine-stitched) camisole and bloomers made of cotton muslin, decorated with tiny silk ribbon bows. The dolls are about 14" (35.5cm) tall.

There are ten different dolls to choose from. Each doll kit has one of three skin tones (dark, medium, or light) and one of five hair colors (black, dark brown, red, auburn, or blond). Let me show them all to you and then we will talk more. Pictured above is Bridie, who has light skin and brown hair.

 

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This girl above is Dorie. She has medium skin and black hair.

 

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This girl above is Honey. She has light skin and blond hair.

 

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This girl above is Mollie. She has medium skin and auburn hair.

 

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This girl above is Sophie. She has dark skin and brown hair.

 

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This girl above is Poppy. She has light skin and red hair.

 

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This girl above is Hollie. She has medium skin and brown hair.

 

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This girl above is Lucie. She has dark skin and black hair.

 

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This girl above is Rosie. She has light skin and auburn hair.

 

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And lastly, this girl above is Sylvie. She has light skin and black hair.

PLEASE NOTE that we are planning to ship all Dovegray Doll kits (and any supplies ordered to complete them) by MID-NOVEMBER 2019. After we get a good idea of the pre-order numbers we will be ordering the rest of the specific supplies we need to complete these kits and get them ready to go. I really did NOT want to guess on these numbers as I have no idea what people will like, so we want to make sure we have everything available for everyone for at least the next couple of weeks.

To make one Dovegray Doll, each kit includes:

For Doll:

  • One 12" x 18" (30cm x 46cm) piece of wool-rayon felt from National Nonwovens in color TOY002-0615 (Champagne) for light skin, TOY002-0624 (Camel) for medium skin, or TOY002-2655 (Safari Brown) for dark skin
  • 1 skein DMC 6-strand cotton floss for all body stitches in color 945 (for light skin), color 3863 (for medium skin), or 869 (for dark skin)
  • Small amounts of various colors of DMC 6-strand cotton floss for facial features, including eyes, eyebrows, eyelashes, eye highlights, and lips
  • 14 yds (14m) Brown Sheep Co. Lanaloft single-ply worsted-weight yarn in color LL41W (Buckwheat) for blond hair, LL69W (English Saddle) for brown hair, or LL03W (Black Bear) for black hair; or Lamb’s Pride color M-154 (Rooster Red) for red hair, or M-89 (Roasted Coffee) for auburn hair
  • 3 yards (3m) DMC 6-strand cotton floss for tacking down hair in color 739 (blond), color 310 (black), 355 (red), color 3371 (brown) or color 3857 (auburn)

For Camisole and Bloomers:

  • One 9" x 44" (23cm x 112cm) piece of 100% cotton muslin fabric
  • 1 3/4 yards (1.6m) elastic thread
  • 8" (20cm) 4mm silk ribbon

 As well as:

  • Stitching instructions with photos
  • Embroidery tutorial
  • Pattern templates

 

You will need a fair amount of supplies to make each doll. Check your sewing kit to make sure you have everything else, or order some of them with your doll kit and we will ship everything together.

You will also need:

 

As I've mentioned, probably more than you can stand, all of the clothes designed for Dovegray Dolls and animals in my Little Animal Family are interchangeable and will fit all of the dolls and softies in these collections.

To accompany the Dovegray Doll kits, we are also offering the Peasant Dress, Pinafore, and Stockings kits in so many different prints and colors:

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To make one Peasant Dress, Pinafore, and pair of Stockings each kit includes:

For Peasant Dress:

  • One 18" x 18" (46cm x 46cm) piece of calico 100% cotton vintage fabric
  • 1½ yds (1.4m) elastic thread

For Pinafore:

  • One 6" x 44" (15cm x 112cm) piece of solid-colored 100% cotton fabric
  • DMC six-strand cotton embroidery floss in various colors, including two shades of green and other colors to compliment dress and pinafore fabrics
  • 2 snaps, 3/16" (6mm) wide (also called 4/0)
  • 2 buttons, 1/4" (6mm) wide

For Stockings

  • 40 yds (1g) lace-weight wool yarn

 As well as:

  • Stitching instructions with photos
  • Embroidery tutorial
  • Pattern templates

You will also need (not included):

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So, as you can see, there are actually TWO separate kits you will need to order if you want to both make a doll and dress her in this sweet outfit.

We are assembling hundreds of Peasant Dress, Pinafore, and Stockings kits out my personal stash of vintage calico cottons that I've been collecting from eBay and estate sales for years. These fabrics are just so lovely and they are getting very hard to find. I have spent hours and hours searching them out and have been holding on to this stash for a long time, intending to use them for these doll kits. I'm so excited about them. Here is just a small sampling of fabrics you can choose. Keep in mind that because these are all vintage fabrics (mostly Peter Pan and Joan Kessler fabrics, if you remember those names), there are a totally random number of each fabric combo available, depending on how much of that fabric we have. There are anywhere from 2 to 38 kits of each of the fabric combos listed, and they are first-come, first-served!

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There are so many more. Look through all of them here.

We also have some new supplies that you will need in order to complete your doll (see the full lists of supplies needed above). We are taking pre-orders for these now and will ship them with the kits. They include:

Doll Needles

Dritz Doll Needles in three sizes #157

 

Fabric Marker

Dritz Mark-B-Gone fine-tipped water soluble fabric marker

 

Fray Check

Dritz Fray Check seam sealant

You will also definitely need hemostats for stuffing, and a #5 embroidery needle, and scissors and hoop, and other notions that we also carry. The supplies lists will link to all of the supplies that I also carry in my shop; check out my supplies page for everything I carry. I will ship anything you order together with the kits.

 

We do ship overseas! To place your order, you will be required to read this information, which contains details about international shipping and customs fees you may incur when ordering outside the U.S. (If you are overseas, the shipping cost charged by Posie does not include any further charges you may incur when importing goods.) To see the shipping-only costs for your order and location, just place the items in your cart and choose your location (or enter your zip code, if you are in the U.S.) and it will tell you how much the shipping is. As usual, I have a sincere request: Please check on and update your shipping address correctly in your Paypal preferences so that there is no confusion when we go to ship. If you do need to add things to your order or change your address after you've placed the order, just email me and we'll figure it out, no worries! I just like to remind people of this ahead of time, because it's a bit easier. International shipping has gotten very expensive so please check things carefully.

Yes, PDF patterns for both the dolls and the dress kit will be available in mid-November, when we are planning to ship the kits. I will make an announcement here, so please stay tuned if you are interested in those!

Also: The Dovegray Dolls are special and are not meant to be played with by unsupervised babies or small children who might swallow the small pieces of their wardrobes, or chew off an arm or a leg. Please use your judgement and watch your baby or child carefully when they are playing with handmade softies, or any toys with smaller parts. Thank you!

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I know there is an absolute ton of information in this post. Take your time and read through everything, and please let me know if any links are broken, anything is confusing, or if you have any questions. I've done all of this computer stuff myself so do let me know if you need me to correct or clear up anything and I will do it as soon as I can. Thank you again so much for your orders and your interest in what I do! It means so much to me that I keep getting to design these patterns and kits and I am sincerely grateful to you for all of your encouragement and support! Thank you! XOXO

Dovegray Dolls Coming Soon

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Well, hello there! How are you? It is raining here this morning and I am well. It's been a busy, exciting, intense couple of weeks since school started. All is well and we are each getting used to our new routines, together and on our own. Kids are so dang brave. It's really incredible to watch, isn't it? It's beautiful. I'm constantly in awe of their abilities to do things they've never done before, go places they've never gone, walk into rooms filled with people they don't know, and basically figure it all out within days. If that. It's so inspiring.

Andy is back at work today after a few days and an entire weekend off, which was so nice. He was home for three weeks on vacation in August and I got used to that. I was antsy to clean the house while he was home. But once he had gone back to work and I had done that, I really missed him and Meems and the long, lazy days of summer, and all the summer things that I've never missed until this, the Summer of Perfect Weather. Suddenly I'm having the summer's-over emotions that most normal people have. I'm looking longingly at the sodden cushions on my front-yard chair, where I sat and read for countless hours, Mimi swinging from the branches of the tree beside me, and I will miss those afternoons. I'm usually just so ready for fall to start that I don't care what's gone. But this time it's a little different, and I am feeling all of the changes.

Thank you so much for all of the Leaves by Hundreds Came orders! They are sold out now. I am busy trying to get my dolls finished and photographed and ready to launch, probably next week. Andy has been in the office during his days off, cutting fabrics for me and generally helping out. We are hoping to have them available for pre-order next week. I first started working on these dolls a couple of years ago. They are based on the animal-doll patterns, and they all share the same body and construction. They can all wear the same clothes. There will be ten different combinations of three skin colors (dark, medium, light) and five hair colors (blond, dark brown, red, auburn, black) you can choose from. Each doll kit comes with a pattern for the doll and her muslin camisole and bloomers and many of the supplies needed to make those things (I'll share full lists of contents at the launch).

There will also be a separate kit (with pattern) available for a calico peasant dress, embroidered pinafore in solid-colored cotton, and knitted wool lace stockings. I'll show you the dress next week. All of the calico fabrics we are including in these kits are vintage calicos from the '70s and '80s, mostly Peter Pan and Joan Kessler that I've spent the last several years collecting either from eBay or estates. It's been such a labor of love and I really have no words to tell you how excited I am to be able to share all of these things with you soon. This is going to be such a cool collection. We will take pre-orders next week and are planning to ship doll kits and dress kits at the same time, by mid-November. We aren't sure how many orders we will get for what skin/hair combos, so we will order supplies on our end after we get the pre-order numbers and begin putting kits together and shipping as fast as we can.

I'm naming the collection the Dovegray Dolls. I wasn't sure what I was going to call them until earlier this summer, when I was starting to work on them a lot. And one night, Mimi and I were sitting in the front yard and we heard a mourning dove.

The sound of the mourning dove is one of the sounds (along with freight trains and thunder) that I miss so much from my childhood. We had them in River Forest (a western suburb of Chicago where I grew up) but we do not have them here in my neighborhood in Portland. (My sister regularly hears mourning doves right across the river in Lake Oswego, but we don't have them here.) If you don't know what they sound like, here is a sample. It's a pretty unmistakable sound.

When I heard it, I couldn't believe it. Mimi cocked her head and listened, too. After just a few calls, she could imitate the dove perfectly, much better than I could. We went and got Gretchen, our next-door neighbor, who also grew up in River Forest (I know, crazy right? Total awesome coincidence. We both graduated from Oak Park River Forest High School in the same year, too, though we didn't know each other. [The high school had almost four thousand people in it, and she and I had gone to different grade schools.]) We all listened. I texted Andy (at work) to tell him what we were hearing. I was excited. It had been decades since I'd heard a mourning dove. We sat out there for a long time, but eventually he stopped cooing and it got dark.

The very next day, the weirdest thing happened: We got a postcard (pictured above) from our local bird shop with a mourning dove on it! (It was a coupon for bird seed.) Andy came home from work that night and saw the post card on the table and said, "OH my gosh, you got a really good picture of the mourning dove!" I started laughing and told him I hadn't taken it, that it was a postcard that had just happened to arrive, etc. We continued to hear the mourning dove for a few days. Mimi and I took the coupon and went to the Backyard Bird Shop and got some special bird seed that mourning doves supposedly like. (She also broke a glass thing while we were there and the ladies at the shop were so incredibly kind and generally cool about it that we will be customers for life.) We put the new seed (I think it was millet?) in the flat feeder right away. Naturally, the minute we did that, we never heard the mourning dove again! Granted, he was never actually in our yard, just somewhere near. The bird shop said that sometimes they sort of find their ways over to this side of the river, but they don't often stay very long. Sad face. I'm still hopeful! I love them.

Anyway, in honor of the summer days we spent listening to the sweet cooing of our mourning dove, I named my little dolls the Dovegray Dolls. The one pictured above is Bridie.

***By the way, that picture above with all the little white dots on it? Does anyone want to take a guess what’s going on there? :)

Studio Re-Do 2019

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Look how cleeeeeean! I feel proud!

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We repainted, got new curtains, new office chairs, more baskets, and labels. What do you think?

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Pretty much all of the major pieces in here are exactly the same as they were in 2010 when we did a major overhaul of this room, and got new flooring (it had been concrete with carpet on it before) and new furniture. (All of the details about the furniture and that 2010 redo are in this post, FYI.) Almost everything about that original set-up still works pretty great, I have to say; either that or we're just so used it we don't know the difference. But we kept everything exactly where it was and just added a few more things, including the shelfy thing on my table (which, as I mentioned last time I found at Goodwill), and a lot more door inserts and more baskets for the Expedit shelf (the new version of which is called the Kallax — the baskets and inserts all still fit the Expedit). What didn't work great about the old set-up was trying to keep the open shelving that we used to have tidy when it's primary purpose was entirely functional. It got really messy, and I found I just started sticking things in there right and left, no matter what it looked like — if there was an empty space, I filled it with something. The shelves were not organized intuitively — you basically had to be me in order to find anything. And even I couldn't always find everything. So this time my only major functional change was that I wanted no open shelving in the Expedit wall.

For the paint color I finally settle on Benjamin Moore Touch of Gray and, although it's a bit lighter than colors I usually pick, I really like it. I really wanted something clean and pretty that would make all of the warm wood and golden basket colors pop. And I think this does that.

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So I bought more baskets, more doors (I covered the old red doors with wallpaper and double-sided tape), and some boxy things (though my favorite ones, the white linen boxes with the built-in oval label holders are naturally discontinued). I also bought these label holders and attached them to the baskets with long brads. The color of the brads didn't exactly match the label holders, but I didn't care. It's working nicely. You wouldn't believe how much stuff is on that shelf in general. We store everything from all of our kits and embroidery stuff that we sell on the web site, to my labeling materials for lotion bars and apothecary stuff, to office supplies, to yarn and fabric and floss and all of the work and designs in progress. Receipts, binders of information, sample binders from suppliers, our scale, paper and shipping labels, I don't even know what else. It's a lot of stuff. Every inch of this wall of shelving is used. This is not only a creative studio but our "warehouse" and shipping station, as well. In the kitchen island we store paper, office supplies, ink cartridges, odds and ends. On the other side are jars of sewing notions and baskets for lotion bars. I got my logo printed on a board from here.

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This computer is our shipping computer and it is where we print all of the labels for all of the shipping we do. It's attached to a laser printer and a little Bose stereo so it sounds really good. We listen to Pandora through it, and Amelia also sits here with all of her drawing and painting and paper-cutting supplies and watches her shows. I got this little gingham chair at Goodwill for $25 but it was originally from Ikea and seems like it has never been used. Amelia drew all over my last chair (and all over the desk [tip: got the marker off the desk with nail polish remover] and the wall) and she has promised that that was just baby stuff and she "doesn't really know how that happened" and won't do it again (even though apparently she didn't actually do it in the first place, etc.?) so fingers crossed about that. A few mom friends and I were talking the other day about some of the kid-things you think are behind you when suddenly they decide they're going to start doing them again, like the other day at the park when my friend's kid suddenly took off like a shot and started running straight down the hill (out of sight) because (we later found out) he "saw a dog down there." The park is on a hill pretty deep in the woods so there are very few cars and he stayed off of the road the whole time, but still it was like . . . seriously??? Mama went sprinting down the hill after him. You think with five-, six-, and seven-year-olds some of that stuff is in the past but then they surprise you. We have a LOT of permanent markers in our house, so . . . I remain on alert.

Anyway, above the computer is my "pretty" shelving — oh, and that's new, too (from Pottery Barn on sale; not sure what it was called or if they still have it). I wanted these shelves to be purely for display and they make me feel very happy and fancy. I also re-covered my bulletin board but haven't really put any stuff back up on it yet. The Posie sign on it is from fifteen years ago when I used to own my little shop on Burnside.

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Across from that is my table, with my laptop and my sewing machine and my new little television. I got that little lamp at Monticello Antique Mall and it is so sweet — it also seemed like it had never been used! I got the curtains on eBay from here. All of these curtains are a bit fussy, I know, but for now I do like them. They warm up the light in here, and I struggle with the light in here.

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By the way, beyond the French doors is Andy's office, which still basically looks like it did when we fancied it up a few years ago except that his desk is totally messy now. I store yarn and apothecary stuff in the brown cabinets, and fabric and art supplies and overstock products and shipping supplies in the white cabinets. And I moved all of my folded fabric scraps on top of those cabinets (not pictured).

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It's kind of hard to take pictures in here because it's a small space and I don't have the right camera lens for shooting interiors. All of the lines look so distorted, even though I do try to fuss with them in Photoshop (do you know how to do that? Go to Filter/Lens Correction/Custom). I think you can get the general idea, though.

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So . . . yeah! I think that's everything.

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By the way, now that my office is all cleaned up I am working on my dolls and I will tell you about them soon. I was going to do that nursery-rhyme cross-stitch that I designed several weeks ago but I was literally making so many mistakes on it every time I worked on it I had to put it aside. I feel like I am starting to get my feet back under me, and it's kind of amazing how having a tidy space helps so much with that. I feel like this version of the studio fits me so well right now, both aesthetically and functionally. My life can be pretty chaotic, and I needed this space to be anything but that. I'm so grateful I have a place like this. I was just sitting there looking at it the other day and wondering what sixteen-year-old me would've thought of this room and I think she would've been completely amazed that this was in her future. Thank you for indulging me by checking it out and if you have any questions let me know and I will try to answer them!

Blossom Days

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The lovely, tentative first blush of spring with its chilly mornings and brave daffodils has given way to very warm weather, and everything is suddenly exploding in a froth of greens. You know how that happens. It's sudden and irreversible. We've been going to parks as much as possible and it's glorious to be back, and back with a capable six year old who can now do the monkey bars like a pro, loves to play and shout and run as fast as she can, makes friends in about thirty seconds, and just generally is so cheerful and fun to be with that the days out have been pure pleasure. As much as I love winter and cold weather and rain, I must admit that life with kids is about a million times easier and more fun when they can go outside and not freeze their hands off on the metal stuff on the playground. I love it.

Sorry I've been so absent! I don't know where the time has one, I honestly don't. We finished shipping everything for Secret Garden just a bit ahead of schedule, and I've never been so relieved to be finished with a project. It was a pretty big, ambitious project for us, filled with so many new things. I enjoyed it, for the most part, though it's always kind of stressful to do anything for the first time, and many of the things we made and packaged we’d never done before. I was pretty tired when we finally finished, I won't lie! Mentally and physically. I also was, apparently, unable to count to four (seriously happened) so please do check your orders and make sure you got evvvvvvverything you ordered. Because literally every time I tried to count anything, I came up with a different number. It was nuts. So, please check your order and make sure I got everything right and if I didn't just let me know right away and I will fix it ASAP. It's been a week since everything went out and I haven't heard that anyone is missing anything, but I’m on high alert. Again, thank you all so much for your interest and orders, and I truly hope you enjoy everything we made! I will be releasing the patterns as PDFs next week, and we will also make any extra a la carte pieces from apothecary boxes available once we know that everyone who pre-ordered got what they actually ordered!

When we finished, my office and Andy's office both were utterly trashed. I collapsed on the sofa for a couple of days and then started reorganizing the space. This has been needing to happen for a long time. Andy and I tried to figure out how long it had been since we had painted the studio and wow, it's been almost NINE years since we did this. That was really shocking. Nine years. I took everything out of the big Expedit wall of shelves and am trying to reorganize it and eliminate all of the open shelving there by putting everything in baskets or behind doors. I decided, kind of surprisingly, that I want to paint it a creamy white. I ran into this article called "Searching for the Perfect Parisian Cream Paint" (sorry, you might need a subscription to a news service to read it) and I loved it. I, too wound up loving the color that the author chose (Farrow and Ball's Tallow) but I went with a color that I thought was exactly the same just slightly lighter than that (and cheaper than F&B!) called Vanilla Ice Cream by Benjamin Moore. We need to totally prime the whole room first, because I think it will be hard to cover that blue with white, so it might be a week or two before we're done.

I had kind of a funny moment yesterday. I have two ceiling skylights in the studio and I don't like them. The light from skylights is actually sometimes yucky. To me it looks light a florescent light fixture. People are really surprised to hear this. Skylights seem nice. But I honestly prefer just plain old window light. Even if you look up pictures of rooms with skylights, you can totally see this flourescent-effect in the pictures. The light in the room is very cool and white when you have a skylight. And I just prefer lower, warmer light. I almost never take pictures of stuff I'm working on in my studio, because unless I'm shooting right by a window it looks like I'm using a flash camera. I'm sure that might be just me, but it's not really my favorite.

But anyway, back to yesterday. So, after surfing Pinterest for I don't even know how long, looking at craft room and office and studio and even kitchen pictures for inspiration, I ran into a few pictures of rooms (I actually think they were of stores) that had weathered  ladders hung from the ceiling. And then from the ladder they had hung bouquets of dried flowers, or baskets, or lanterns, and I thought it looked so pretty. And I thought it would be a perfect thing to hang just slightly inside the skylight window-well. So, not having ever seen this before, I get super excited: "This is amazing! I've never seen this before! What a cool, inventive, unique, new idea!" And then I take Mimi with me to the antique mall to find a little ladder and we walk in and practically every other booth has, of course, ladders hanging from the ceiling displaying dried flowers, baskets, and lanterns. They were everywhere! It's a whole thing. I was laughing so hard. I never knew. I did, however, find a little driftwood ladder for $35 that will be perfect for this, though, so I'm pretty excited. I'll take some pictures next week and show you what we're doing. I found a really cute Laura Ashley–type lamp, too. I so so so love that she is coming back a little bit. I've been waiting. Anyone have any advice for getting giant stickers off of glass and MDF?

Mimi and I made a rhubarb pie using the sour cream apple pie recipe but increasing the sugar to 1 cup. It was good but the rhubarb is so acidic, I guess, that it kind of curdled the sour cream, so I'm not sure I would recommend it. . . . We also made this Shoemaker's Chicken and served it with buttery mashed potatoes and it was AMAZING. Highly recommend.  I need more of those chicken tray-bake things. Another trend I'm late to the party on. I'm slow!

We're packing and shipping . . .

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Deep in the throes of the homestretch of this big Secret Garden project, we're packing up the apothecary boxes here this week and the place is a tip. I'm very confident that we will have everything in the mail by Monday, so please watch your inboxes for shipping notices if you haven't already gotten them, and thank you again for your orders! I'll be back with photos from the past couple of weeks around here as soon as I get caught up! Hope everything is well with you, XOXO, a

The Work of Spring

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My baby girl is growing up. She frequently would like me to make her a cup of chamomile tea. She sets her little table with a tablecloth and the good china and wants to sit there by herself for dinner. She climbs trees higher than I feel comfortable with, and I try to remind her of the rules (you don't climb higher than you can get down from by yourself) without my voice going up in pitch just that very little bit that says I'm nervous. She tells me she's careful. She wants jeggings but she doesn't like how they have pockets in the back instead of the front. She brings me countless dandelion bouquets, and it is very hard for her to have the self-control needed to let all the tulips and daffodils now blooming in the yard stay in the ground, uncut. She is reading the very early reading books (but tells us she "already knows how to read"). Her baby teeth are falling out right and left. She's pounding nails and digging holes and knows all the words to songs I've never even heard. She is so thoughtful, so joyful, so quick to assist, so eager to play. She can take your toes off if you're not careful, dragging her footstool over as fast as she can to help you at the counter, to climb up to get a glass, to reach the water. She's busy. She's very, very busy, always drawing, always stapling, always cutting stuff up, always gluing, always arranging her nightstand or making a book. Today is the first day back to school after spring break, and it's my first time having a couple of hours all to myself in well over a week. It's been a whirlwind, and we didn't even really do much, or go much of anywhere. But it was so nice. The weather was gorgeous, the garden is starting to bloom, and we spent a lot of time cleaning up our spaces and uncovering the flourishing new growth of spring.

I spent some time at a bread-baking class with the Franciscan Sisters of the Eucharist in the Columbia Gorge. I drove out to the convent one morning by myself on the recently opened historic highway and wasn't prepared for the devastation. It is still very, very raw in our beloved gorge after the Eagle Creek forest fire, started by one teenager with illegal fireworks, burned 50,000 acres back in the fall of 2017. The fire, miles wide, went right across the historic highway. Everywhere the trees are still bare, brown, broken, the cliffsides denuded of green, now nothing but brown dirt and crumbling rock. Occasionally, you'll drive through a few dozen yards of road that the fire missed, and you'll see exactly what is missing: the green is gone, the layers and layers of moss, tiny filaments of green branches creating a haze overhead and through the woods, all the gauzy layers of greens, creating a complex web of new growth, small growth, old growth, so much green, depths of green, like green tulle tumbling upon itself in frothy layers of lichen and lace. It's all gone now. The spring sun blazes down there now. The slanted March light is harsh and unfiltered, and everything is brown. It's mostly just rock, and the blackened backsides of tree stumps, and the violent jumble of rock and log that comes right to the edge of the road, and starts up again right on the other side. It feels, as you're driving, that there should be many more guardrails; without the comfort and cushion of trees and leaves, the road feels like a hair's width, clinging to the side of the cliff without a spotter. It was startling. I wished I had not been there by myself. I was late, and the going was slow, winding and winding, rocks on the road, everything feeling like a landslide about to happen. I was disturbed, thought about calling Sister Rose and sending my regrets, and turning around. But there was nowhere to pull over, so I kept going. I couldn't not think about our many drives through the years, drives through what was once a cathedral of green, Wilco playing on the car stereo, sunlight dappling through the leaves, the air cool and clean, Amelia in her car seat on the way to her birthday lunch, or Andy's birthday lunch, at Multnomah Falls. It's different now. I wasn't prepared. It made my heart ache. Next time, whenever that is, we will go together, and I hope that spring and summer and time will start to have worked their magic once again on that aching and injured place.

Sister Rose taught us to make a lovely, homey white loaf, and that weekend I taught Amelia how to make cinnamon rolls. They were delicious. We used this recipe (and cut it in half). I don't like brown sugar so I did all cinnamon sugar. They took hours to make, which felt perfect for that rainy Saturday morning, and we at them for brunch. It felt good to knead the dough, and I had to knead it, because the Kitchen Aid is broken. The big screw that holds the mixer up came out somehow, and the whole thing is listing into the bowl. I need to take it to a repair place. Is there even such a thing?

Slowly but surely, all of our Secret Garden projects are coming together. We have candles to pour and wax sachets to make, and fifty more skeins of yarn to dye, and then just a whole lot of assembling and packaging. The soap is cured and wrapped, the patterns are printed and waiting, the floss is pulled, the duplicate stitch yarn is dyed. The lotion bars are half done. The bath salts need to be made. The labels are in my hands and the jars are on their way. The hoops — I almost forgot about the hoops. The hoops arrived from Denmark (after the embroidery kit patterns were printed) and they are a bit smaller than the hoop I used in the photo. There was some confusion about measurements, as I measured 6" from the inside of the hoop, and the manufacturer was measuring from the outside. Nevertheless, everyone here agreed that the smaller hoops actually look even better than the sample I'd photographed, so we are using them (and attaching a note about this to the kit). Things like this seem to happen. It's kind of the risk of taking pre-orders. I'm making peace with that. Very luckily, I really think this is actually a better option and one I would've chosen for it myself if I'd known. So hopefully that will be okay.

Our neighbors cut down a small birch tree on their property this morning. I asked them if I could have several of the limbs to use to make some edging for our raised beds, which we've cleaned up but haven't planted yet. So I have a pile of branches in the driveway and now need to teach myself how to make a simple woven border. I have an idea but I have no idea if it will work. I'll keep you posted.

Right now I'm listening to the purring of three baby squirrels that have taken up residence in a duct pipe above the exhaust fan in the crawl space about my studio. They are bustling around in there quite a bit today. We suspected they were there because I've been hearing something for a while, and Andy sent his phone (taped to a stick and recording video) up into the duct to see what was going on. Yup, three of them, all balled up together in a nest of fluff. Dang. They're so cute now but they can't stay there forever. I've been assured they can't fall through the exhaust fan into the studio, but I'm not sure I believe it. They literally sound like they're right there. Right above the fan duct. Time to make some calls.

***Amelia's new sweater is the Summer Rain Cardigan. I used leftover Purl Soho Cashmere Merino Bloom, which is baby soft, because I really wanted to make sure she would wear it. And she really does. It came out just how I wanted. For her new slippers I used this pattern and leftoever Lang Yarns Merino+ Superwash. Trying to hit that stash yarn hard these days. It feels good.

The Secret Garden Collection Now Available for Pre-Order

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Hello! Is it snowing where you are? We're having sunshine today. Andy and Amelia are working in the front yard, lifting muck off of the borders and uncovering tender daffodil shoots and tulip leaves. It seems like the perfect day to let you know that our Secret Garden Collection is finally available for pre-order! (To read about my inspiration for these items, please see this blog post.)

Pictured above is BLACKBERRIES AND HEATHER-BELLS — a sweet little design that fits inside a 6" (15cm) hoop (included in the kit) that acts as a frame. With a robin, blackberries and blossoms, heather flowers, ivy leaves, and a hidden key, this design is done in just one ply of DMC embroidery floss and you will be so amazed at the kind of detail you can get with just one ply! I honestly think you will love blending the colors a little bit to get a very naturalistic effect. It's so much fun, is easier than it looks, and actually goes really quickly. The kit costs $22 and will ship toward the end of April, 2019.

Finished size of design area: About 4" (10cm) in diameter

This kit contains:

  • One 9" x 9" (23cm x 23cm) piece of Kona Cotton (100% cotton) fabric by Robert Kaufman in color Pickle
  • One 6" (15cm) plastic faux-wood Flexi-hoop for (very easy!) framing
  • One 6" (15cm) piece of wool-rayon felt for backing
  • (34) 24" (61cm) lengths of various colors of DMC 6-ply cotton embroidery floss
  • Stitching instructions and color chart
  • Illustrated stitch tutorial for special stitches
  • Black and white line drawing for tracing design onto fabric
  • One piece of chipboard for creating a floss organizer

You will need:

To purchase the Blackberries and Heather-bells Embroidery Kit, please CLICK HERE.

 

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The second project from the Secret Garden Collection are the MISSELTHWAITE MITTS.

The same sweet motifs embroidered on this little pair of fingerless mitts are done in duplicate stitch. Knit flat, then embroidered, then stitched up the side with openings left for the thumbs, these handwarmers are perfect to wear at winter’s end, when the soils are just starting to warm and the smell of new growth is in the air. Knit with hand-dyed single-ply fingering-weight 100% Merino yarn, they are easy to make and so soft.

Please note that because I am dyeing all of the yarn to order, I will do my very best to match the colors you see here, but because of the nature of hand-dyeing, there may be some variation. The kit costs $42 and will ship toward the end of April, 2019.

Finished size of mitts: 3.25"w by 8.35"h (8cm x 20cm); to fit average adult woman's hand

This kit contains:

  • One 115g (434yd) skein of single-ply fingering-weight Merino yarn, hand-dyed by me in Misselthwaite Green
  • One pack of cut lengths of the same yarn, hand-dyed in a rainbow of colors for making duplicate stitches
  • Knitting instructions
  • Illustrated stitch tutorial for making duplicate stitches
  • Color charts indicating placement of duplicate stitches

You will need:

  • Size US 1.5 (2.5mm) needles, or size needed to match gauge
  • Yarn needle
  • Row counter

To purchase the Misselthwaite Mitts Knitting Kit please CLICK HERE.

 

Now, let's talk about the SECRET GARDEN APOTHECARY BOX! I'm pretty excited about this! This little box is filled with lovely, handmade, beautifully scented bath and beauty products that we've made for you. The box contains five items, including one 9-oz. jar of salt-and-milk bath soak:

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It contains Epsom salt, pink Himalayan salts, Dead Sea salt, milk powder, colloidal oatmeal, coconut milk powder, phthalate-free fragrance oil, rose Kaolin clay, chamomile flowers, rose petals, cornflowers, jasmine flowers, and calendula petals. You add a few tablespoons to a tea bag and dissolve the contents under warm running water, and soak in that tub for as long as they will possibly let you. . . . At least that's how I try to do it. This smells lightly of cucumber and spring garden scents.

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Also included is one 5-oz. bar of hand-made cold-process soap.

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It is a gentle, lovely soap that contains olive oil; coconut oil; distilled water; sodium hydroxide; castor oil; phthalate-free fragrance oil; blackberry seeds; rose Kaolin clay; purple Brazilian clay; mica; decorated with pink Himalayan salt, jasmine flowers, rose petals, and heather blossoms.

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Not every bar looks exactly the same, but they are all pretty similar to these. I am basically obsessed with this soap. It smells amazing — like rhubarb custard! 

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Also included is one 1.85-oz. lotion bar (almost as big as our full-size lotion bars, but the mold was a bit shallow). It's got a light, pretty floral scent, and contains beeswax; shea butter; coconut oil; lanolin; essential oils of elemi, chamomile, and ylang ylang; and jasmine absolute. It's so perfect for the season. I've been using mine like crazy.

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Also included is one scented wax sachet made of soy wax, beeswax, hyacinth fragrance oil, wax pigments, and dried botanical matter and flowers. It is about 2.5" in diameter, and you can hang it in your closet or in a window to look at every day. I discovered these on Pinterest this past fall. I don't know why I like them so much but I just do. Each one is unique and just so pretty.

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And lastly, included is one 2-oz. jar candle made of soy wax and beeswax, scented with honeysuckle fragrance oil and decorated with gem and mineral chips and dried flowers. These are just tiny, special little candles that burn for about fifteen hours and will make your bath or your evening a little more beautiful.

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Everything comes labeled and packaged together in a little kraft paper gift box, cushioned with paper shred and closed with seam binding and a pretty wax seal. The Apothecary Box is ready for giving, either to yourself or someone you love. The box costs $68 and will ship toward the end of April, 2019.

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To purchase the Secret Garden Apothecary Box please CLICK HERE.

 

We will ship all of these items all over the world this time. But please be aware that the Apothecary Box weighs almost four pounds, and it is expensive to ship overseas. It will ship Priority Mail in the U.S. You will be asked to read our shipping policies before checking out, so please make sure you familiarize yourself with them when you place your order. We will be ordering our labels and the packaging and some of the materials based on how many orders we get for these, so we are planning to ship everything together at the end of April.

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Thank you ever so much for your patience and your interest! This is a really big project for me and I am so excited about it. Please let me know if you have any questions and I will respond here! Xoxo, a

(Nest painting licensed from WitsEnd.)

Love Days

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87DBD436-6092-4B18-B42C-C327F8CDBFD6Sweet Mimi at her Valentine's Day store, 6:00 a.m.

I was going to have all of my Secret Garden things ready to go this week but I'm not quite finished getting the web pages up. I forgot about Valentine's Day, and President's Day on Monday, so I will probably have everything ready by Tuesday and will post links then. There's no need to scramble — this is not a sell-out kind of thing. We will literally take every single order we can get; if you're willing to wait for us to pull everything together, we will make as many of everything as you will want. It will just take some time. Hoops and candle jars are on back-order at the manufacturer, and I'm waiting to place some orders for supplies until after I see how many orders we will get, so I that I try to hit these numbers properly. I honestly never know with new stuff like this — will we get five orders or fifty orders or five hundred? It stresses me out to try to guess. It's too risky to get things wrong. So we'll take orders starting Tuesday and I'll give you more of an accurate expected shipping time when we know how many of everything we need to make. I'm pretty sure that things will start rolling out sometime toward the end of April, and first orders will go out first. Soap takes six weeks to cure. We have about a hundred bars curing right now but, as I said, not sure what the numbers will look like, so stay tuned.

I both very much enjoy and utterly dread the excitement of doing new things. I can't explain the particular emotion. It's complicated.

We had snooooooooooow! It was lovely. So lovely. It was short. We got a few short-lived inches, and those were supposed to be followed by a major snowpocalypse last week, and instead we got literally nothing. Seattle got it all. Well, that's not true — certain neighborhoods around town got dumped on, and certain neighborhoods got absolutely nothing. Mother Nature cherry-picked her locations this time. It was okay. We really enjoyed what we had, and Andy was even home for second day we had snow. He had to work on the first day of snow, a Friday, when school was cancelled and Mimi lost a tooth and she and I walked up to the park and hung out with some old friends. Later we walked up to the cafe for breakfast. The sun was shining and there was no wind and it was just excellent. I miss walking around so much. Now that Amelia is not in a stroller I feel like we just do not do it very much anymore. I miss those walking days, as much as they hurt my foot. I miss being right up close to the seasons like that, noticing peoples' curtains and the things in their yards and the new growth, especially at this time of year. I miss having a baby in the stroller bundled in her blanket, sleeping or drinking her milk, strapped in and not needing anything, me just walking and thinking and talking quietly to her if she was awake. It's nice walking together now, too, but it's different. It's much more active than passive. Pushing a stroller is almost like taking a waking nap. You just keep rolllllling along.

But anyway, we enjoyed the snow, I thought about time, I thought about the snow days of my childhood, how my friend Monica and I spent countless freezing, white-cold weekends at Keystone Park in River Forest, walking under the viaduct with our ice skates over our shoulders, long underwear on under our jeans, a thermos of Swiss Miss hot cocoa to drink in the warming room at mid-day. Everything was white — ground, sky, breath. It was freezing. Every winter they flooded the park and made a big ice skating rink. It was not a destination; it was just our little neighborhood park and grassy ice rink. We shoveled snow off the ice and into big banks of snow around the sides. Bigger boys played hockey. We held hands and practiced going backwards. I honestly don't remember any parents ever there. I know for sure that mine never went. It was the '70s. We walked there on our own and we skated together all day. We did this year after year, Monica and I. Our other friend, Linda, was a skating girl. She took ice-skating lessons at a real skating rink, getting up at five in the morning, every morning, to skate before school. Her mom, who was one of my absolute favorite moms, took her. She skated in competitions. When I went to her ice-skating birthday party at Ridgeland Commons, I was the one who fell down and bit through my lip, getting blood all over the ice and making a scene. I drew a picture of Tai Babilonia and Randy Gardner, like a big, giant picture of them skating, and I worked on it for a long time. At the end of a skating day, Monica and I would walk back down Hawthorn in the blue snowlight of the winter evening with the huge bare oak trees overhead, fingertips freezing, noses running, ankles aching, perfectly spent. You'd stand at the sink and run warm water over your frozen hands for ten minutes when you got home. I haven't been cold like that in years. 

My Secret Garden Inspiration

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I'm literally aghast at how quickly the days seem to be going right now. I'm not sure why; not sure why they seem to be going so fast and not sure why that leaves me feeling shocked. Amelia's been in kindergarten for almost five months now, and I don't really know why, either, I thought that the days without her in the house would feel longer than the days when she was in half-day preschool. I guess, realistically, I really only have one extra hour before I leave to pick her up each day. We do two extra-curricular activities — ballet once a week and now we will start once-a-week swimming lessons after school today. Swimming is important, and she hasn't taken to the water very naturally. It feels like it's becoming a thing. Her group lessons in the summer aren't really cutting it. She actually regressed between first and second sessions last summer. I've heard good things about these new lessons so, fingers crossed, this is a fun and productive time because the lessons are expensive and also halfway 'round the world. . . .

For the first time in my life, I spend a lot of time in the car. . . .

THANK YOU for the podcast recommendations! Wow??? MANY RECOMMENDATIONS. Also, thank you for the British mysteries+ recs as well. You guys are awesome. Now I just need to find time to go through all of the recommendations and get them downloaded. I am excited. Someone said that the right podcast totally changed their commute. I like that. Also, I can't believe I forgot to mention Agatha Raisin on my list of must-watches. It's our go-to. For some reason, we literally just watch it all the time. It almost doesn't put Andy right to sleep. If you're going to watch it, though, you must try to find the pilot, which for some reason doesn't appear with the first season (this is all on Acorn TV). It's separate, and two hours long. If you watch "Walkers of Dembley" without watching "Quiche of Death" (pilot) you might be really confused. So be sure to search for it. The second season just started. M.C. Beaton (author) has written five thousand books in this series so lets hope this show goes on forever. I love Ashley Jensen. Well, everybody, really. Mathew Horne as Roy is perfect. I've read a ton of the Agatha Raisin books, years ago, actually, and I love the TV series better than the books.

This past fall, as Amelia entered kindergarten and started to show an interest in reading, I started pulling out the books that I had begun to collect for her before she was born. If you've been hanging around here for a while, you might remember this book list that you helped me put together. I remember that when I was working on that list, I bought a few classic books, including The Secret Garden, to start building a library for my future child. It struck me then and still strikes me now that, as much of a voracious reader as I was as a child, I really had very little exposure to what is considered "classic" children's literature. I'd never read The Secret Garden (or Little Women; or The Wind in the Willows; or Anne of Green Gables; or The Lion, The Witch and the Wardrobe, to name just a few . . . ). I bought all of these and more for Amelia back then, in 2010, and I can remember like it was yesterday how I went to Chipotle right after I was at the Barnes and Noble in Lloyd Center, and I was reading this version of The Secret Garden (by Frances Hodgson Burnett) while eating my burrito, and I was about a dozen or so pages in when I thought, "Oh wow, oh no — this is too good." And I shut the book. And as with so much else in my life at that time, I put it in a special place with a pat and a kiss, and decided to wait, so that I could eventually share that experience with my child. . . . For many years, as I waited and worked to become a mother, I would think to myself (and think to myself; I thought this many, many times), "But everything is still ahead of me! All of the firsts are still ahead of me!" And that thought got me through more hard days than I can even now count.

Time was slow, then. Time was painfully, appallingly slow. You were here. You saw that. I busied myself with sewing, and knitting, and kitting out the house, feathering a nest for not months but the years (I just counted them the other day, and it was eight) it took before we had the privilege of becoming parents. And then, once that miracle arrived, and baby came home, and that adoption was finalized, time sped up like you wouldn't believe. Suddenly you're out of breath. It's like the opposite of hurry-up-and-wait — it's wait . . . wait . . . wait . . . and then holy crow hurry up, because baby is crawling, then walking, then talking, then going to preschool, and then her teeth are dropping out of her mouth right and left, and she's reading. . . . And all of that took mere moments. Moments. Entire years of early childhood that have felt like just a few beautiful, excellent, soul-filled, soulful moments. Because suddenly she is six years old. And ready to hear entire paragraphs as you read to her, tucked under your right arm, under the covers in the big bed, nightgowned, teeth-brushed, drowsy, and waiting to begin.

I won't tell you she's quite old enough to hear this whole story, because I don't actually think she is yet. Her attention span is still not quite long enough for long passages of text, or some of the more complicated issues, or some of the more troubling ones. We've read it aloud at night but we've also listened to it a bit on audiobook in the car, and it's pretty clear that I'm generally more into it than she is. But this time, once I started it, I didn't stop. I couldn't put it down. I couldn't turn it off. It is a poignant book, and, though not without its problems (I found this post the other day and thought it was great; and I also must say that I was frustrated that — SPOILER ALERT! — 1) Martha, who is such a brilliant character, pretty much disappears from the second half of the book, and 2) that the book ends on Colin, who I, personally, found much less compelling than Mary, and I truly felt like it was she who had earned the ending far more than he did — but she, too, kind of disappears before the end), it cuts to the heart of loneliness, loss, neglect, friendship, healing, and growth, both metaphorically and literally. I believed in the power of the garden, of planting seeds, of waiting and watering, and I still believe now, even more.

Sometimes I wish that I had read just this one book back then, in 2010. I think I could've made an exception for this particular one, back then.

The other wonderful thing about this book is just the gorgeous, evocative imagery: the purple heather-covered moors; a big Gothic manor with weird sounds wuthering through the halls; wintergreen and walled gardens; a lonely little girl skipping rope in a hundred circles; tiny plants poking their ways through dead leaves and detritus as they've been doing for many an unwitnessed year. The scene near the beginning when Mary, talking to Ben Weatherstaff the crusty old gardener, befriends the robin was the first in the book that moved me so much. Ben had just finished telling Mary that she and he were "wove out th' same cloth. We're neither of us good-lookin' an' we're both of us as sour as we look. . . ." Suddenly, the robin landed a few feet away in an apple tree:

    "He's made up his mind to make friends with thee," replied Ben. "Dang me if he hasn't took a fancy to thee."
    "To me?" said Mary, and she moved towards the little tree softly and looked up.
    "Would you make friends with me?" she said to the robin, just as if she were speaking to a person. "Would you?" And she did not say it either in her hard little voice or in her imperious Indian voice, but in a ton so soft and eager and coaxing that Ben Weatherstaff was as surprised as she had been when she heard him whistle.
    "Why," he cried out, "tha' said that as nice an' human as if tha' was a real child instead of a sharp old woman. Tha' said it almost like Dickon talks to his wild things on th' moor."
    "Do you know Dickon?" Mary asked, turning round rather in a hurry.
    "Everybody knows him. Dickon's wandering about everywhere. Th' very blackberries an' heather-bells knows him. I warrant th' foxes shows him where their cubs lies an' th' skylarks doesn't hide their nests from him."

For some reason that forlorn, unwanted child, and that sweet robin, and that earthling boy, and the phrase "blackberries an' heather-bells" sort of unlocked this massive whoosh of ideas for me recently. I started designing my most recent craft projects and apothecaries around them. The collection of photos and illustrations above has fed my imagination while I have been working.

"Circumstances, however, were very kind to her, though she was not at all aware of it. They began to push her about for her own good. When her mind gradually filled itself with robins, moorland cottages crowded with children, with queer, crabbed old gardeners and common little Yorkshire housemaids, with springtime and with secret gardens coming alive day by day, and also with a moor boy and his 'creatures', there was no room left for the disagreeable thoughts . . ."

Like Mary, my thoughts this winter have been filled with these things of Misselthwaite, and I hope you might find inspiration in them, too. (If you haven't read the book, or haven't read it in a while, I can't recommend the Inga Moore version enough.) I will probably start taking pre-orders for my two Secret Garden craft kits (one knitting, one embroidery [not cross stitch]) as well as the bath boxes we are working on sometime next week or so. I'm almost done taking photos of the items I am going to include, and I will tell you all about them then. It's been so much fun doing this, and I can't wait to share all the things we've made.

Boy, this really took me a long time to write, sorry! Phew!

Photos and illustrations, from top to bottom: 1. By Molly Brett 2. By Johanna Basford 3. By Flavia Sorrentino 4. Yorkshire Dales by Mike Williams 5. By Emma Lazauski 6. Unknown illustrator, from art.com 7. Vintage postcard from 1908 8. Thwaite, England, by Dave Dunford (and, curiously, Thwaite is about ten miles from the towns [Reeth,Grinton, and Marrick] that my ancestors-I-never-knew-about-until-last-year are from — so trippy!) 9. By Inga Moore 10. Vintage china pattern 11. Frances Hodgson Burnett 12. Still from The Secret Garden movie, 1993 13. By Julian deNarvaez 14. By Johanna Basford 15. By Russell Barnett 16. By Giovanni Manna 17. By Rachael Saunders 18. Vintage botanical print 19. Yorkshire Dales by A. Leighton 20. By Inga Moore 21. Tasha Tudor 22. Biodiversity Library 23. Unknown 24. By Aliki Kermitsi 25. Gathering Blackberries by William Stewart MacGeorge 26. Blackberry by Margaret Tarrant 27. By Leo Paul Robert, from Les Oiseaux dans la Nature 28. Vintage botanical illustration 29. Still from The Secret Garden movie, 1993.

Winter Warming

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Oh, the days of January, I love them so. I love that the weather is cold, the garden is sleeping, the skies are gray. I love that. I love hibernating, and flannel sheets, and flannel nightgowns, and hot tea, and pretty tea mugs. I love yarn, and knitting, and television at night, and dark. I'm tired, and getting over my cold, and wanting to go slow, and wanting to go upstairs early. The house is frowsy and soft. I'm gearing up to Marie-Kondo everything in sight, but not right now. No, not right now. Right now everything is a bit droopy, and needs fresh paint, and to be vacuumed for hours. I sit and make lists, stab at the taxes, pick up take-out Indian food, read picture book after picture book after picture book at bedtime, and listen to a thousand six-year-old hopes and fears. Her warm body beside mine, we listen to the wind and rain, and talk about going to Great Wolf Lodge someday, where they have an indoor water park, and water buckets falling on your head, and pool after pool after pool of warm water. I'm in. Take me there. Let's go now.

We went to a conference with Mimi's teacher the other day and it's like . . . I could just sit there and talk about my kid all. day. long. I love her two teachers and I love her school, and love how she is thriving there. I don't love the commute, but I'm trying to learn to like it. It's long, and can be ugly if I take the busy way, which I usually don't, and then it's just plain long and slow. I've been listening to The Secret Garden audio-book (read by Finola Hughes) while I drive, but it's almost over. I think I really need to get into podcasts. I don't even know what I want in a podcast, honestly. I'm not sure where to start. And can you download them so you don't have to use data on your phone while you're listening? Or . . . how does that even work? I don't seem to know anything about anything that everyone else knows lately. Thank you in advance.

I've been thinking and working a lot on the Secret Garden projects and the bath boxes that will go with them. What I think we will do is offer two different craft projects -- one is an embroidery project (not cross stitch, just regular free embroidery, of the robin, and the key), and one is a knitting project. The embroidery project is small, about 5" in diameter and will fit and be framed in a 6" hoop (which will be included with the kit). The knitting project will include a pattern for a pair of simple handwarmers decorated with with duplicate stitch, and will include hand-dyed fingering-weight yarn for the main color of the handwarmers and also all of the small amounts of yarn you will use to duplicate-stitch the designs on top. Then, if you'd like, each project can come with the Secret Garden–inspired bath box, which will include a bar of our handmade cold-process soap, a lotion bar, a really pretty apothecary jar of bath soak, a wax sachet, and a little candle.

You may order either of the kits with or without a bath box, or you may order just the bath box. We are going to take pre-orders for all of this in the next couple of weeks, and then it will take at least six weeks for us to ship everything. It will take this long because we don't know how many orders for everything we will get and we want to make sure we can include everyone who wants any of these items. So, since the soap takes six entire weeks to cure, we will continue to make soap almost every day in anticipation of orders. We also need to order the hoops I think I want to use for the framing of the embroidery project from Europe, and they have a long turn-around time (also about six weeks after ordering). So that puts us shipping around the beginning of April, and if you've read The Secret Garden, doesn't that seem kind of like the perfect time for this? I definitely will put together a post that shows you my inspiration for all the things we're working on for this, like I did for the advent calendar. I love making those collages so much and will start working on one later this week. I can't wait.

I've watched a few of the Tidying Up episodes on Netflix. I honestly get choked up every time they thank the house. It's weirdly emotional. I would've never thought to do that but it feels very poignant. It's a really beautiful moment in the episodes, I think. I also watched the documentary Three Identical Strangers last night and that was so incredibly intense. Did anyone else see it? Man. I don't even know what to say about that. As an adoptive parent, especially, it chilled me to the bone to think that they separated those babies. Unrelated, my sister Julie got me the British TV Field Guide for my birthday and I am psyched. I should do a run-down of my favorite British TV shows (mostly mysteries and thrillers) this past year. I love Shetland, Vera, Happy Valley (OH MY WORD crazy intense), Last Tango in Halifax, No Offense, Striking Out, Acceptable Risk, and Keeping Faith. Should I tell you about those or do you already know them?

I took that moon photo during the Super Blood Wolf Moon lunar eclipse! Josh was over and he and Andy were gonna go out to the garage to play video games; they went out on the back porch and flipped out because the eclipse just happened to be almost total at that moment and we had an awesome view of it from the porch. I grabbed my tripod and put it on the back table and got a few photos of the moon right before the clouds moved in. So that's almost total eclipse right there. It was just so totally cool to see that. I'm so glad they just happened to be going outside at that moment or we would've missed it!

The sweet winter field painting is the print I bought from Jo Grundy and had framed a few years ago, and I love it so much. And that beautiful watercolor of Amelia riding the rabbit? The sweetest gift from the most lovely Emily Winfield Martin several years ago. I absolutely treasure it, and it hangs over Mimi's bed.

About Alicia Paulson

About

My name is Alicia Paulson
and I love to make things. I live with my husband and daughter in Portland, Oregon, and design sewing, embroidery, knitting, and crochet patterns. See more about me at aliciapaulson.com

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Photography

Photography

Since August of 2011 I've been using a Canon EOS 60D with an EF 18-200mm kit lens and an EF 100mm f/2.8 Macro lens.