There's a mysterious, melancholy beauty that is so specific and to this time of year in the Pacific Northwest. The skies are dark and flat, matte gray, or like a frosted light box, glowing and opaque. The wind is cold, blowing cold rain into your face. The ground squelches and sinks, and you slip, sliding on the skanty grass while trying to fill up the bird feeder. The birds come, bright flashes against the dark afternoon. The wind blows water from the new leaves. Some daffodils have already faded. The branches that haven't yet budded out (and there are many) are dark and wet, their patches of lichen and moss (and whatever else it is that creeps across their spongy bark) bright with chlorophyll and optimism. Everything is tender, and cold, and vulnerable. Nothing, absolutely nothing, wants for water, for water is everywhere now — in the wind, in the air, in the ground, in the leaves above your head as you sit on the porch and listen to the birds sing, and watch the squirrel that is probably the same squirrel that lives in your ceiling air duct eat sunflower seed for four hours from your flat feeder. He's content as a kitten, sitting there right in the pan with his tiny hands held up to his mouth, nibbling daintily but constantly at the black seeds.
This is the best time of year for me, with all the cold and rain of winter but also all the best flowers, the daffodils and forsythia and tulips and bluebells; the enormous, suede-like pink magnolias; the ornamental flowering pear trees lining every street, and the petal-heavy cherry blossoms, and her dirty hands holding bouquets of grape hyacinths to bring to the ballet mistress. The sidewalks are covered in bruised petals, and piles of browning petals collect in the gutters and gullies. Everywhere there are petals and buds and things still just beginning to start, which is my absolute favorite state of being.
Yesterday was a hard day, teacher conferences with Amelia's sweet, darling, angel of a teacher, hard because we have, with some relief but mostly with somewhat broken hearts, decided not to return to our lovely school next year. Simply, we just can't afford the tuition or the very long commute. Andy and I sat in Mimi's classroom yesterday, filled with gratitude for all of the amazing things she's learned this year, listening to her teacher talk about her with so much affection and humor and love. She told us stories so similar to the ones we live daily with Mimi, and we laughed with joy and wonder at the silliness and the amazingness and just . . . all the cool things that she and her classmates are doing right now. Learning to read is pure magic, sitting with her each night as she earns every single word she reads out loud, whispering the phonograms to herself, sounding out the letters, asking me whether a vowel is going to be long or short or silent in any case, restricting herself from using the pictures to guess at the words. I've never told her to do that, but it seems to come naturally, and I watch and listen in constant wonder at the mysteriousness of this process, and marvel at how, in just one week, a kid can go from not really reading to totally, suddenly reading. Is it not a miracle of human development? And what, honestly, isn't a miracle? I'm beginning to think absolutely everything, everything is.
We hugged the teacher and I got choked up in the hallway as we left the conference, saw one of my friends around the corner who knew how I was feeling (she's been there forever, and knows very well what we're leaving), and I said, red-faced and blotchy-necked, "Conferences," as explanation. "It's hard to leave everyone. . . ." She said, "I know," and nodded kindly. Already, in just one year, this has become Mimi's place, where she has loved and been loved and nurtured and encouraged and guided, where the Montessori pedagogy has been perfect for her, where everyone has been just so kind. I fervently hope that transferring to our neighborhood public elementary is as good an experience as this has, in almost every way, been. I'm so grateful it has been so good, even just for this year. We are definitely looking forward to being back in our own neighborhood. But I do wish there were more public options for Montessori-type education.
Back at home, Kady and Andy and I are finishing up the final projects for Secret Garden. We've started to ship embroidery kits and will start shipping knitting kits next week. Apothecary boxes will be the last to go, as I still need to make all of the wax sachets for that. But that's almost the last thing. Packing these will be an adventure! The boxes are big and heavy. Everything looks so pretty and smells so good. I'm proud of all of this but I will be very ready to be done by the time we get the final order out the door at the end of the month. Next up for me will be a new cross stitch kit, and then I'll be working on my dollies this summer, for release sometime in the fall.
I recently finished two mysteries that I absolutely loved called Missing, Presumed and its sequel, Persons Unknown, by Susie Steiner. I read the first one and listened to the audiobook of the second one. (If you don't have your library card hooked up to the Libby app, I recommend it; Libby is not great for browsing, but if you know what you're looking for you can check out audiobooks [and place holds] and listen to them right through the app.) I loved the narrator for the Persons Unknown audiobook. It's really the first audiobook since Secret Garden that I have totally gotten into. I really like detective characters. These mysteries are wonderful for me because they have so much character development. I'm now in that weird phase that sometimes happens where I only want to read something exactly like what I just read, and nothing else will do. I've started seven other books and three audiobooks since and they've all been . . . meh. I'm sure they all would've been fine books if only I'd read them before. . . .
***The lovely painting of Amelia is one I had done several years ago by Olga Bulakhovska of OliFineArt on Etsy. If you were reading this blog back in 2014 you might remember the photo in this post that was used to paint the portrait, and Oli couldn't have done a more perfect job of it. I love it so much.
