Posts filed in: Fabric and Sewing

My Spring Rain Quilt

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This quilt is so big I didn't even try to capture the whole of the design, but you can track its evolution here and here and here and here. It's soft and fluffy and puffy and warm and makes me happy. I am about to start another quilt now. This one will be a triple Irish Chain. Classic, with a creamy background, but scrappy and random (and small patches!). I have always loved the Irish Chain design and I've always wanted to make one. I thought I would do another very random patchwork, but then I felt I just needed a little more structure than that in my life right now. I may try to back all of my quilts in cotton lawn, like most of this one, from now on. It's really expensive (though I did find all of these pieces on sale and had been holding on to them for years; doubt that will be happening again, or at least not for a while), but you just can't believe how soft and squishy and light it feels. Also, the wool batting is seriously scrumptious. The whole thing sort of reminds me of a Pavlova. And the kitters is pleased, so there's that.

Lemons and Poppyseeds

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I finally finished tying the quilt shortly after I took this photo. It was all I could do not to take it out of the dryer (I always wash and dry my quilts [on warm] the minute I finish them), put my pajamas back on, and hop back into the bed. But instead I made a poppyseed lemon cake. I'll let you know how it turns out. How both turn out!

April Showers

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In between sunbreaks I would like to tie the quilt, especially when it's pouring, and I mean pouring rain outside and us girls are all tucked in upstairs after dinner, waiting for Andy in the warm, rosy lamplight with some coconut cake and my new favorite show, Dual Survival. But this dear little Violetflower is always on the quilt now, which makes it tricky (and cat-hair-covered). I don't deny her anything these days. The quilt is so big I was actually able to tie all over one of the corners of it while she was cozied up on a pile of the bulk of it a few feet away. So, slowly but surely.

I ordered some patio furniture. Here's how I did it:

"Honey, I just wanted to let you know that I got some new poufy chairs for the backyard with a little round wooden coffee table to go in the middle so that we have somewhere to sit happy birthday babe!!!!!"

Like that!

The minute that thermometer hits 68 these doors and windows are flying open and I am not coming inside for four months!

Yesterday I was up in a part of the city we lived in for a short time with friends when we first moved to Portland (that cute kitcheny window belongs to this restaurant, which I think used to be the little newspaper I did copyediting for). I can't believe how much the neighborhood has changed. I need to get out more. A few people have asked me about the stuff-to-do-in-Portland list I was working on last year. I had forgotten about that. So I just looked at it. That thing is huge. It's not entirely finished. But I will do that, and put it out here in a couple of pieces, so stay tuned.

Spring Rain

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Whew. A few days ago I was about to do something else, and before I knew it was sitting under an enormous half-finished quilt with a big blister on my finger. It was like I accidentally stepped into the fairy circle, then was further tempted to eat one of their little cakes (even though I know you should refuse all offers of food there!). And so then they just kept me for a while, and made me sew. And sew and sew. Yes. I think that's what happened. I was under a spell.

I do remember that it was pouring rain for several days straight. It was a rain spell. At times I think I had almost every light in the house on just so we could see what we were doing. The sun came out just for a short, glorious while on Saturday afternoon. Andy came into the studio with me and played video games on his phone while I went from cutting table to sewing machine to ironing board, and back again. I just kept adding patches to patches patches. In all honesty, seriously, this quilt top came together faster than any quilt I have ever made. If you really look at it, once all the pieces have been cut, it's just a matter of putting it together like a puzzle, and many of the patches are BIG. I left a few of the big long pieces uncut until closer to the end, when I knew whether groups of vertically pieced patches were going to match up to groups of horizontally patched pieces. (Sometimes they did, sometimes they didn't.) If they didn't (and if they didn't it was, luckily, never by too much), I just added a bit to some other piece that I hadn't cut yet so that the collective group of patches was still the right length, or width. It came together exactly like the diagram except in a couple of places, like where my little green blocks didn't get done in the right order, and I needed to add a strip to the bottom of the log cabin column because it was way too short (and I still don't really know why). As each part came together, I was very happy. I thought it all looked so pretty together. Thank you to anyone who was here over the weekend with me! Your comments were cracking me up bad! That was really fun.

When I first started to cut all of the patches, before I stitched them together, I basically printed out a diagram of what I had drawn, so I knew exactly which patches I needed. As I cut them (randomly, from some new fabrics and from my stash), I crossed them off. So by the time I started sewing I had all sorts of little piles, labeled with sticky notes: 16" x 4", 4" x 4", 58" x 2", etc. Almost all of the patches are 2", 4", or 8" wide. The grid made it easy to see the exact size of each patch, and I just added 1/2" for seam allowances to both the length and the width before I cut. As I finished each strip or section, I hung it in front of the sliding glass door and then I sat and looked at it to figure out where to put some of the darker colors, so that they were a little bit balanced. I didn't plan which fabrics to use where in any sort of labored way, and they just sort of fell where they did. I didn't follow the chart color-wise at all, expect for a few places like the big gray boxes, and the navy-and-green mini stripes.

When the top was all finished I realized that I wanted it to be even bigger than it was, so I added a 4" border all the way around. The binding will be some kind of mustard yellow, or maybe brown. The back is a patched mix of really beautiful cotton lawns — in fact, there is a ton of cotton lawn in this quilt, from Liberty prints to some from my friend Anna to various stuff I've collected over the years. I don't know how well it will all wear, but oh dearie me is it dreamy to touch and work with. It also has made the sandwich so light. I used Dream Wool for the batting (which is what I used for my log cabin quilt). They say you can stitch up to 8" apart on it. I love it. It makes the whole thing feel like a big puffy comforter. I prefer that so much to flatter, cotton-filled quilts. Firstly, it's so much lighter and loftier. Secondly, I just like the way it looks more poufy when it's all finished. Thirdly, It's seriously warm. I was sitting under it (with all its pins in it) last night with just my thin nightgown on and I was toasty.

To finish it, I've decided to tie it. I was thinking of having it professionally quilted, but then I decided that I really just wanted this project to be all mine. It felt like me, and I wanted to keep it close to me. It will take much, much longer to tie than the top did to put together, I think. I'm going to use all sorts of different colors — to match the background fabrics — of embroidery floss. I don't want them to show up too much. Not sure exactly what kind of arrangement I will tie it all in yet. I'll work on the binding first. I stitch that by machine on front and by hand on back. It's about, oh, eleven yards of binding, so that will take me quite a while. But at least I can do it while I'm sitting under it.

Oh — I almost forgot about the cross-stitched patch I made for the back with my initials. It only seemed fair to make a cross-stitched patch, though I didn't actually think of it until the back cloth was all pieced together. So I used 14-count waste canvas and sort of centered it on there. I ran out of room, so although it was supposed to say 4-1-12, I just had it say 4-12 for month and year. I expect to be working on the second half (finishing) through April. Though knowing me I may become possessed again and in that case I can't say what will happen.

Did you notice the woodpecker (I think it's a Nuttall's woodpecker? Downy woodpecker — thank you!) in the second photo? I took these pictures from the house, so I was quite far away from the birds.

I know.

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I've got problems.

Coming Together

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Yesterday evening, around 6:20 p.m. End of Day 2 on the quilt.

Virtual Quilt

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I was playing with the cross stitch program I use (PC Stitch) this morning and started putting together a virtual quilt. I've never really planned a quilt before, or even made one that was sort of complicated. Now I kind of want to make this one. Each little box represents one (finished) inch, so this is 92" x 92". I wonder if I can do a quilt lke this. I don't think it would be that hard if I took the shapes apart and figured out how to build each section. I would do it in some tiny prints, not all solid colors. So maybe I'd have to simplify the design. But I think my colors would probably be less contrasty and less bright than these in real life. So maybe that would compensate. And I want it to feel flowery, in spite of all of these . . . what's the word . . . it's a math word . . . geometric. Shapes. Good grief, girl.

I was going to tell you some stuff about making cross stitch patterns but then this design started happening. Classic. Sorry!

Coffee.

It's kind of funny that it came out like this because I was wanting to make a new quilt but I couldn't decide which kind of design to make. So it's kind of a mish-mash, which is kind of how I was feeling. Super fun program to play around with, though. You get to make it without making it. Maybe there's some kind of quilting software that does this, too?

Thank you for all the farm name suggestions — they were so awesome! I need to check in with Brady to see what he thinks. I will report back! ;-)

Quiet Moments

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I do love my new little prairie-girl quilt. I take it everywhere I go (when an animal isn't already on it, and then when I get all settled they get right back on it/me). It is lined with wool, which is poufy and warm and snuggly wonderful. I always wash and dry my quilts before I use them because I don't like them flat and formal; I like them wrinkled and crinkled and soft. I've also decided to go back to tying on all my future quilts. This is how I used to do them before I knew there was any other way to do them. I've done them all sorts of ways since, and this is my favorite. Makes it feel most like an eiderdown.

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Oh, and don't I feel foolish for making fun of Quiet Moments! Yes. Quiet moments are quite nice. :-)

Awesome.

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This is a photo of my college roommate and BFF Martha sewing, sometime around 1983, when she was about fifteen. I first saw it twenty years ago at college when she pulled it out one day and we about fell over laughing, because I used to sit like this when I sewed, too. She just found the picture again and sent it to me over the weekend. Everything about it is just so awesome. I dare you to just try to get yourself into this position now (you have to put your left arm under your leg, and then stick your other leg straight out) and pretend to sew and you will be laughing so hard — I just got down on the floor and did it and cracked myself up bad. Oh man. The foreshortened gripping foot. The determination. The perm. She is seriously lanky. I love this so much. She is so sweet.

Thank you again for all of the orders. I'm still seriously reeling, I have to admit. Beyond my imaginings. THANK YOU!

There's a Good Dog

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Oh, this dog.

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She likes to sleep on top of my clothes that I throw on the bed.

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She yawns about forty-five times a day. She is the drowsiest, floppiest, cuddliest, kissiest puppers you've ever seen.

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Unless of course someone makes a noise six blocks away and then she is on it.

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For a moment. And then she goes right back to nappers.

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What you don't want to see is the electrician, standing in your bathroom torn down to the studs, with his face in his hands, shaking his head, as I just did.

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You want to see him smiling and nodding, and saying, "No problem! This will be very easy and inexpensive!"

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But I love my new quilt so much. This is the Oregon Summer quilt that I started earlier this summer. Gayle, Amy's mom of Tillie Studio quilted it so beautifully for me. The backing is kind of a terra-cotta pink cotton gingham (printed gingham), and the binding (I did it by machine and then by hand) is actually a pink and white candy-stripe. It was pure pleasure making this one, and my knees were very, very happy with me (because I didn't make them crawl around pinning every square). The dog, however, missed laying on it while I was working on it. So she's making up for it now. People ask me how I keep pet hair off my furniture. And I just say, "Seventy-two dpi. It hides a multitude of sins."

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Not kitters's carpet poms, but black dog hair, at least.

*Sorry I forgot to mention this — for those who have asked about sizing/quantities of fabric, etc., I used my Ollalieberry Ice Cream quilt pattern for this quilt. It is available to download in my web shop. Thank you!

About Alicia Paulson

About

My name is Alicia Paulson
and I love to make things. I live with my husband and daughter in Portland, Oregon, and design sewing, embroidery, knitting, and crochet patterns. See more about me at aliciapaulson.com

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